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Friday, January 13, 2017

CL catches Travis Phillips of Charlotte's Modern Primitives in the act of imitating Yoda

Posted By on Fri, Jan 13, 2017 at 10:00 AM

Creative Loafing stumbled into Charlotte grit-rockers Modern Primitives — drummer Phillip Gripper, bassist Tim Nhu and front man Travis Phillips — on the back patio at Common Market in Plaza Midwood Thursday night.

The guys were in mid-PBR consumption when we caught Phillips in the act of imitating Yoda from the Youtube clip "SEAGULLS! (Stop It Now)," the Bad Lip Reading spoof of Star Wars: The Empire Strikes Back that apparently everybody but your humble correspondent has seen.

For comparison, we've submitted a pair of videos — Phillips' imitation, and the original. Decide for yourself how well our guy did:

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Friday, January 6, 2017

Last Night at the Double Door Inn: One Less Worthy Spot for Derrick Worthy's Delicious Dogs

Posted By on Fri, Jan 6, 2017 at 10:10 AM

Creative Loafing is celebrating the Last Night at the Double Door Inn all week this week with clips of folks who attended the final night bash on Monday.

Derrick Worthy is a different kind of Double Door regular. He's been selling hot dogs outside the blues club — which closed its doors Monday after 43 years as Charlotte blues institution — every Monday night for the past two years

"I'm gonna miss the place. It's special," he tells CL in this clip, as sheets of rain poured down like tears on the canopy covering his A Worthy Dog hotdog stand. "We have everybody come in; it's a diversified crowd, everybody from attorneys to plumbers to musicians to hospitality workers."

Worthy's gonna miss it, he says — "especially the money."

Thursday, January 5, 2017

Last Night at the Double Door Inn: Jackie's Been a Regular Since the Early '80s

Posted By on Thu, Jan 5, 2017 at 12:35 PM

Creative Loafing is celebrating the Last Night at the Double Door Inn all week this week with clips of folks who attended the final night bash on Monday.

We caught up with Jackie, a Double Door regular since the early 1980s, in the pool room area at back with a group of friends.

"At one time I was the only little black girl up in here," Jackie tells us in this clip.

By the time of the Double Door's closing, that was no longer the case. Not by a long shot.

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Wednesday, December 14, 2016

Live review: 95.1 Kissmas 2016, Spectrum Center (12/13/2016)

Posted By on Wed, Dec 14, 2016 at 10:06 PM

95.1 Kissmas Concert f. Shawn Mendes, Alessia Cara, DNCE, Hailee Steinfeld, Charli XCX, JoJo
Spectrum Center
Dec. 13, 2016

As the calendar creeps closer to Christmas, Charlotteans prepare themselves by participating in a variety of local holiday events. That includes the annual Kissmas Concert hosted by Kiss 95.1 FM. This year’s set of stars was bigger and better than ever, as reflected in the event venue moving to the Spectrum Center (formerly Time Warner Cable Arena). The showcase featured six pop artists: JoJo, Charli XCX, Hailee Steinfeld, Alessia Cara, DNCE and headliner Shawn Mendes.

Unfortunately, though there was plenty of talent and star power in the house, it was overshadowed by poor scheduling, very little production value and sets that felt rushed.

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Wednesday, November 16, 2016

Live review: Evanescence, The Fillmore (11/15/2016)

Posted By on Wed, Nov 16, 2016 at 11:13 AM

  • Evanescence
Evanescence w/ Veridia
The Fillmore
Nov. 15, 2016

For the last four years, Evanescence fans have waited for a reunion tour after the hard rock band went on hiatus in 2012. Charlotte-area fans got their wish with a tour stop at the Fillmore on Tuesday night that didn't disappoint from the opening notes to the closing chords.

  • Veridia
The night opened with a short set from Veridia that set the tone early with its hard rock sound. The band was solid, yet a bit forgettable, simply offering a good warmup set. The crowd's focus was on what was yet to come.

Then, Evanescence hit the stage with the energy of a quintet who acted like they'd never been offstage in the last few years and sounded like they never missed a beat or note.

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Monday, November 14, 2016

New Release: Brio ft. RonLui - Gone

Posted By on Mon, Nov 14, 2016 at 2:00 PM


Charlotte rapper and producer Brio has moved one step closer to releasing BLEU, a project that's been three years in the making. Creative Loafing wrote about Brio's patient process with BLEU back in July, and now the release of "Gone" marks the rollout of that project. Well, sort of. "Gone" will be featured on LITEBLEU, a prequel EP of sorts to BLEU.

The song is Brio's reintroduction to the game, although he's been around — performing in Charlotte and Atlanta and releasing a video in July. In "Gone," he speaks  with a whispered voice over an eerie piano beat about where he's been and his readiness to release his new material. Brio brought along fellow Charlotte rapper Ron Lui for "Gone," and he keeps the mellowed effect going while contrasting Brio's whisper with a deeper, auto-tuned delivery.

The addition of the same exclamatory samples you grew up hearing behind Rob Bass in "It Takes Two" makes for an interesting contrast in the beat, produced by Brio, since those noises have been viscerally attached to a dance beat in America's collective musical conscious. It does add to the song in a subtle, head-nodding way, however.

Brio plans to follow up on the release of "Gone" with a video for his previously released single, "Sapphire." He says he hopes to release BLEU this winter. Check out more of his music here.

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Thursday, November 10, 2016

Live Review: Fitz and the Tantrums, The Fillmore (11/9/16)

Posted By on Thu, Nov 10, 2016 at 11:36 AM

If you were looking for a distraction from the chaos resulting from Tuesday's election of Donald Trump as president on Wednesday night, you’d have found it at the Fillmore Charlotte.

  • Jeff Hahne

The Fillmore played host to one of the hottest acts to emerge on the scene in recent years and gave people something akin to hope after a devastating election the night before. Fitz and the Tantrums completely took over the Queen City without uttering so much as a word between songs.

Fitz and the Tantrums are an indie-pop and neo soul band that began in Los Angeles in 2008. They
  • Jeff Hahne
 released their debut, “Pickin’ Up the Pieces,” in 2010 and hit number one on the Billboard Heatseekers chart. Rolling Stone profiled the group in 2011, naming them one to watch, and they followed up their critically acclaimed release with 2013’s “More Than Just a Dream.”

The band made a name for itself as one that can unite fans from all walks of life. That was evident, judging by the crowd packing the Fillmore Charlotte last night. The audience was full of people aged from 16 to 60 who showed up to fill the club in anticipation of the indie group’s set. Families could be seen taking selfies as all ages waited for the show to begin, eager for a fun release following an exhausting past 24 hours. From the moment the band graced the stage to the encore, every single member of the audience was completely immersed in a frenzy of screaming, singing and — above all — dance.

“Clearly this isn’t a show for wall flowers,” lead singer Michael Fitzpatrick said between songs, as co-singer Noelle Scaggs egged him on.

Despite the generational gap and difference in temperament of their loyal fans, Fitzpatrick was right — every single audience member raised their hands and stomped their feet in time to the music at the singer's slightest coaxing. It didn’t matter if they were playing old favorites like “Moneygrabber” or songs from the new album like “Tricky” and “Roll Up,” the crowd was in the palm of their hands and completely into each and every track they played.

  • Jef Hahne
It’s rare to see an act command an audience like this. Fitz and the Tantrums have it down to a science, able to bring a crowd to their feet with even a subtle beckoning or have them waving in unison while the group is getting their groove on. The band brought a fun atmosphere to a crowd desperately in need of an escape from reality and flawlessly played through a fun set that captured the essence of a time when pop-synth ruled the airwaves.

Next time you’re looking for a fun escape from reality, see if Fitz and the Tantrums are touring near you. They’re guaranteed to give you a musical escape that will encourage you to leave your inhibitions behind.

1. Get Right Back
2. Spark
3. Don’t Gotta Work It
4. Out of My League
5. Run It
6. Break the Walls
7. Breakin’ the Chains of Love
8. Walking Target
9. Complicated
10. Fool’s Gold
11. Roll Up
12. Do What You Want
13. MoneyGrabber
14. Burn It Down
15. L.O.V.

16. HandClap
17. 6 A.M.
18. The Walker

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Live review: Relient K and Switchfoot

Posted By on Thu, Nov 10, 2016 at 11:00 AM

Relient K and Switchfoot
Nov. 2, 2016
The Fillmore Charlotte

Most Wednesdays you’ll find the working class of the Queen City winding down after a long day at work at a local brewery. So what could possibly bring a crowd of bankers, hipsters and parents out to The Fillmore late on a weeknight? The promise of reliving a significant portion of their high school years.

Relient K and Switchfoot graced the Fillmore with their presence Wednesday night for their “Looking for America Tour.” These two powerhouses were pivotal to the pop-punk scene that took the mainstream by storm in the early 2000s and are now coming together for one epic tour.

Relient K kicked off the show with a 19-song set that featured a mix of old classics and their latest material. The group came onstage and played without any fancy pyrotechnics or screens — they kept it simple, with a background painting of a log cabin, a few trees placed on stage and a life-sized white buffalo casually sitting on the stage. It was quirky, and yet somehow perfectly aligned with the theme of their latest album, Air for Free.

They ripped through a fairly balanced set with their trademark energy. Occasionally you could feel the crowd getting restless, especially during their newer songs, but the room exploded every time they reached into their backlog. Songs like “Who I Am Hates Who I’ve Been,” “Sadie Hawkins Dance” and “Be My Escape” received a level of audience interaction that most bands only dream of.

Once Relient K finished up (with a gorgeous rendition of Deathbed, on which Switchfoot’s singer Jon Foreman joined), the audience’s energy slowly started to lag as the stage was set for Switchfoot. The 45 minute break in between the two groups was a touch too long to keep the momentum built by Relient K going. Yet when the lights finally came down, the crowd’s energy returned. Switchfoot took the stage and immediately launched into “Holy Water” from their album “Where the Light Shines Through.”

The interaction between front man Foreman and the crowd is a joy to watch. He took the time between songs to really build a rapport with the audience, and frequently jumped into the crowd to get as close as possible to the band’s fans. His joy and energy were apparent as he jumped from end to end of the venue, singing without missing a single note the entire time.

He had the crowd in the palm of his hand the entire time, especially during the songs from Switchfoot’s early years. The crowd was entirely captivated when “Meant to Live” and other songs from their debut “The Beautiful Letdown” were played. The band seemed to tailor their setlist to the fans, setting everything up to give them the most nostalgic, enjoyable experience possible. The closed their amazing set with one of the first songs that launched them into the mainstream, “Dare You to Move.”

Switchfoot and Relient K proved to be the perfect combination. Both groups have been around for more than 10 years and hit the mainstream scene almost simultaneously. Together, the two bands put on a powerhouse show that fans aren’t likely to see again. If you were lucky enough to be at The Fillmore Wednesday night, you bore witness to the meeting of two incredible musical minds.

Relient K Setlist:
1. Local Construction
2. High of 75
3. Bummin’
4. Don’t Blink
5. The One I’m Waiting For
6. Who I Am Hates Who I’ve Been
7. Runnin’
8. Mountaintop
9. Forget and Not Slow Down
10. Sahara
11. Air for Free
12. Mrs. Hippopotamuses’
13. Crayons Can Melt On Us for All I Care
14. Mood rings
15. Crayons Can Melt On Us for All I Care
16. Heartache
17. Sadie Hawkins Dance
18. Be My Escape
19. Deathbed

Switchfoot Setlist:
1. Holy Water
2. Meant to Live
3. Stars
4. Bull in a China Shop
5. Where the Light Shines Through
6. I Won’t Let You Go
7. The Shadow Proves the Sunshine
8. Love Alone is Worth the Fight
9. Twenty-Four (acoustic)
10. If the House Burns Down Tonight
11. The Sound (John M. Perkins’ Blues)
12. Where I Belong
13. Float
14. Live It Well
15. Dare You to Move

Tuesday, November 8, 2016

Live photos: Jon Bon Jovi, The Fillmore (11/6/2016)

Posted By on Tue, Nov 8, 2016 at 1:39 PM

Get Out the Vote w/ Jon Bon Jovi
The Fillmore
Nov. 6, 2016

A small crowd filled the Fillmore on Sunday night for a dose of politics and music. A series of short speeches gave way to a brief acoustic performance by Jon Bon Jovi with a theme, of course, of getting out to vote.

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Monday, October 31, 2016

Live Review: Phantogram, The Fillmore

Posted By on Mon, Oct 31, 2016 at 2:15 PM

Wandering around uptown Charlotte October 29, you were likely to see an army of girls dressed like Harley Quinn and guys done up like zombies. After all, it was Halloween weekend and the bars were popping. If you were to follow some of those costumed folks hanging around the NC Music Factory, however, they would have led you to an entirely different scene. Phantogram played to a packed house (full of an assortment of Halloween creatures) Saturday night and brought a new level of eeriness to the festivities thanks to their trademark sound.

The night kicked off with a solid performance by The Range, a DJ/producer based out of Brooklyn, New York. He took the stage dressed as a skeleton and amped up the crowd before the main event. The Range is known for creating an uplifting atmosphere, playing tracks of his own creation that sample artists from all areas of music. He spun his way through an hour set that included snippets of songs from everyone from YouTube musicians to the latest heavy hitters in the industry. He left the crowd hyped and ready to dance the night away for the next act up, Phantogram.

To a world that loves to categorize musical acts, Phantogram poses a conundrum. They aren’t quite electronica, not quite pop, not quite rock — they’ve essentially invented their own brand of music that manages to touch on all three with their haunting tracks. Yet they’ve made a name for themselves by forging their own path and creating music that’s just as mesmerizing on stage as on the radio.

Josh Carter and Sarah Barthel began Phantogram in 2007 in Saratoga Springs, NY. The group released their first alum, Phantogram EP, that year and gained the attention of the music world with tracks like Mouthful of Diamonds and When I’m Small. They immediately followed up their debut EP with another, called the Running From the Cops EP, through BBE Records. Carter and Barthel finally released their first full-length album Eyelid Movies a year later.

On Saturday night, a screen initially separated the audience from Phantogram. At first puzzled, the crowd soon got hype seeing that the transparent screen served as a canvas for Phantogram to paint a picture of their pulsating tracks, creating 3D effects through the use of lasers, lights and projections. The duo’s set began with Funeral Pyre, hauntingly kicking off their Halloween weekend show while their silhouettes flashed abruptly on and off the screen. Fans didn’t even catch a glimpse of Carter and Barthel until they launched into Blackout Days.

The effects were simple, but effective, the perfect complement to the ambience created by the band. Their newer sound is almost enchanting. Every song was perfectly placed to build the crowd up, culminating in the explosive When I’m Small to close out their set. They returned to the stage for a four-song encore, including their latest single that’s guaranteed to rock the airwaves, You Don’t Get Me High Anymore.

Barthel is the voice and the face of the group, and the songs on the group’s newest release especially allow her to showcase her incredible vocal range. Songs like Destroyer took the focus off of the mesmerizing lights show and allowed the focus to stay on her. Draped in a long black cape, she took center stage amongst smoke and projected flames to remind the crowd of she and Carter’s incredible musicianship. They really got a chance to shine.

Phantogram’s set only lasted about 90 minutes, but in that time they made what could have been a hokey holiday event an intriguing, enchanting spectacle. They’re incredibly talented musicians that will be back again — next time, don’t miss them.

1. Funeral Pyre
2. Blackout Days
3. Don’t Move
4. Turning Into Stone
5. You’re Mine
6. Same Old Blues
7. Answer
8. Mouthful of Diamonds
9. Howling at the Moon
10. Bad Dreams
11. Destroyer
12. When I’m Small


13. Barking Dog
14. Cruel World
15. Fall in Love
16. You Don’t Get Me High Anymore

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