Events Search – CL Recommends
The Steel Wheels, Anna Egge
Fri., May 24Country/Folk
ANA EGGE
Given her unusual upbringing, Brooklyn-based folk troubadour Ana Egge was bound to be a free spirit. Raised on a hot springs hippie commune in rural New Mexico, Egge learned to build her own guitar from her alternative school’s astrology teacher. Egge still plays that guitar today, singing about self-sufficiency, restlessness and the road in a clear, warm alto which suggests a harder edged Gillian Welch. Even when she’s being playful, as with her 2007 covers collection, Lazy Days, which focuses on songs about idleness, Egge’s catchy Americana harbors a haunted nourish streak. It’s this combination of easy-going panache and underlying edge that led peer Lucinda Williams to call Egge, “the Nina Simone of folk.” Egge’s road took an even harder turn in 2011 when she teamed with producer Steve Earle to create the LP Bad Blood, a clear-eyed examination of the mental illness that runs in her family. Even tainted with the ravages of madness, Egge’s songs retain graceful composure, effortless melodicism and a sense of hope. Consciously avoiding shock and melodrama, Egge’s unflinching examination of the heartland’s dark underbelly is tempered with acceptance and understanding.
$17.50
6th Annual Snug 600
Fri., May 24, Sat., May 25 and Sun., May 26Pop/Rock
THE WOGGLES
Formed in Athens, Ga., in 1987, The Woggles are essentially a four-piece living-breathing-singing-jamming Nuggets box set impervious to the passing of time. From the matching outfits and preponderance of 7-inches to the stage-names — Professor Mighty Manfred, Flesh Hammer, Montague and Zorko — the mid-’60s are still the font of all things swinging. That also means there’s little difference in the garage-friendly blend of soul, big beat R&B, rock and surf from the band’s 1993 debut TeenDanceParty to its latest, this year’s The Big Beat. It’s all good fun, especially live in a packed sweaty club with a beverage or two under your belt. But, at least on record, it’s equally impossible not to sometimes wonder why you’re not listening instead to the early progenitors (“Maximum R&B”-era Who, Mitch Ryder, The Yardbirds, et al.) who did it first. So, you know, point being, see ’em live and quit thinking about it so much; better to just let the rock wash over you for the night and cleanse the bullshit away. With Temperance League, Modern Primitives and more as part of the 6th Annual Snug 600 which runs through Sunday; Vroom-Vroom!
Kevin James
Tue., May 28, 8 p.m.Comedy
When it comes to playing the role of an overbearing couch potato, Kevin James need not sweat. The actor/comedian who plays Doug Heffernan — a blue-collar worker who makes mountains out of mole hills in his average life — on the CBS sitcom The King of Queens, delivers (and we’re not talkin’ packages). There’s humor to his hysterics. Morphing into other dumbfounded characters in the film world (his latest part is in Grown Ups 2, to be released in July), it’s safe to say that when James goes solo for stand-up, he does it with the same exaggerated enthusiasm. As long as he puts his usual melodramatic spin to whatever random shit — jet skis, banks, airports, and greeting cards were past targets — crosses his mind, his upcoming gig at Ovens Auditorium is going to be a hoot.
$49.55-$71.15
Dillinger Escape Plan, The Faceless, Royal Thunder, I For One
Wed., May 29Pop/Rock
THE DILLINGER ESCAPE PLAN
One of the most intriguing bands in all of metal, the DEP’s explosion of rock is interlaced with frenetic hardcore, prog rock and percussive inflections. The unrelenting noise will repel casual observers, but keen ears will be rewarded with a manic trip laden with shards of sounds. It’s an inventive barrage to be sure, but isn’t that the point when a band of musicians writes and plays music on their own terms, not bending even a millimeter for commercial gain? Over the years they’ve honed the sound and while the musicianship remains precise, even calculated, what ensues is the din of a restless herd of wild horses suddenly let loose out the gates. The freshly released recording, One of Us is the Killer, continues the momentum.
$15/$18
15 Year Anniversary Group
Through May 31Visual Arts
With gallery closings on the rise, we’re especially pleased to announce a reopening. Hidell Brooks Gallery, which closed its doors back in November of 2012 to renovate and expand its quarters, is back in the game with three distinct exhibition spaces and more storage space. The new floorplan is credited to Lindsay Smith — who also designed the gallery back in 1998 — of Dimcheff Smith Studio. To celebrate, Hidell Brooks will be having a reception for its 15 Year Anniversary Group. The exhibit will showcase artwork by 34 different artists of varying styles and mediums. They include works by artist Sherrie Wolf, who combines detailed still lifes with a backdrop of whimsical landscapes, portraiture and scenery; Selena Beaudry, who uses cut-up pieces of painted paper to intricately layer her colorful, funky compositions; and Miranda Lake, who uses wax and collage to create psychedelic nature displays. Katherine Ace, Philip Geiger, Johan Hagaman, David Kroll, Rana Raochet, Amanda Talley, and many others will also be sharing.
Free admission
Wit & Whimsy
Through May 31Visual Arts
It's no big surprise that Vicki Sawyer grew up with a family that loved nature or that it rubbed off on the Tennessee-based artist, who frequently paints portraits of animals and surrounding aspects of the wilderness. Her acrylic works are realistic, yet somewhat unnatural in appearance. Having worked closely with painting birds, Sawyer deviates by painting on accessories like hats and masks to her feathered and/or furry subjects. Her latest exhibit at Lark & Key features paintings like these, in addition to others — some of which include a sheep with an assortment of birds nesting in its fur and a child clothed in vines with a bird sitting on his shoulders. It's all just too cute to be true. With pottery by Paula Smith. Opening reception on April 5, 6 p.m.-9 p.m.
Free admission
Avenue Q
Wed., May 22, 7:30 p.m., Thu., May 23, 7:30 p.m., Fri., May 24, 7:30 & 11 p.m., Sat., May 25, 8 p.m., Sun., May 26, 2:30 p.m., Wed., May 29, 7:30 p.m., Thu., May 30, 7:30 p.m., Fri., May 31, 8 p.m., Sat., June 1, 8 p.m. and Sun., June 2, 2:30 p.m.Theater/Dance/Performance Art
Lovers of irreverence can rejoice greatly, for the potty-mouthed puppets of Avenue Q are bringing their song-and-angst routine to Theatre Charlotte, May 17–June 2. Recent college grad Princeton is the newest tenement tenant on this queer city block, wondering how he can parlay an English degree into a livelihood while instantly smitten — how could he not be? — by equally anxious and awkward Kate Monster. The song list is self-recommending to anyone who has ever suffered through the varnished truths of Sesame Street and Mister Rogers, including such hits as “It Sucks to Be Me,” “Everyone’s A Little Bit Racist,” and the imperishable “The Internet Is for Porn.” Blue-chipper Billy Ensley is directing a formidable cast that stars Andy Faulkenberry as Princeton and KC Roberge as Kate. Genders be damned, the supporting cast includes Matt Kenyon as Lucy the Slut and Veda Covington as Gary Coleman. Yes, that Gary Coleman. $25-$27
Proof
Thu., May 23, 8 p.m., Fri., May 24, 8 p.m., Sat., May 25, 8 p.m., Sun., May 26, 2:30 p.m., Thu., May 30, 8 p.m., Fri., May 31, 8 p.m., Sat., June 1, 8 p.m. and Sun., June 2, 2:30 p.m.Theater/Dance/Performance Art
Premiering at the Manhattan Theatre Club in May of 2000 and working its way up to Broadway just five months later, David Auburn’s Proof is ... well ... proof that starting small can lead to bigger and better things. In 2001, the play picked up a Pulitzer Prize for “Drama” and a Tony Award for “Best Play,” before going on a continuous run that came to a close in 2003. Afterwards, it was adapted into a film, starring Gwyneth Paltrow, Anthony Hopkins and Jake Gyllenhaal. Reemerging in the quarters of Carolina Actors Studio Theatre, this production doesn’t really need a plug, but for folks who struggle with finding good solutions for things to do, consider this your cheat sheet. But be forewarned: This isn’t the happiest of plays. It revolves around Catherine (played by the talented Karina Roberts-Caporino), who sacrificed her own dreams to care for her mentally ill father (George Gray), a former mathematical genius, while her sister ran off to New York. With his death, Catherine faces her estranged sibling and one of her father’s former students, who thinks that an undiscovered, breakthrough manuscript may be hidden in her father’s office. Add to all this a blossoming romance and some questionable sanity and you’ve got the general equation for Proof.
$18-$28
War Horse
Tue., May 28, 8 p.m., Wed., May 29, 7:30 p.m., Thu., May 30, 7:30 p.m., Fri., May 31, 8 p.m., Sat., June 1, 2 & 8 p.m. and Sun., June 2, 1:30 & 7 p.m.Theater/Dance/Performance Art
It couldn’t be a more appropriate time to say “giddyap,” because Broadway’s War Horse is galloping through Belk Theater on a six-day run, slated for eight performances. It’s based around Michael Morpurgo’s children’s book of the same name, about a boy who embarks on a quest to bring his beloved horse back from the horrific front lines of war. But what you won’t find in those pages is the stamina that this musical carries as it comes to life with life-sized puppet horses, operated by humans who’ve mastered both navigation and neighing.
$20 and up
Connectivity
Through June 15Visual Arts
Exploring a rather broad topic that's open to plenty of interpretation, this new exhibit at McColl Center for Visual Art features a variety of artists, all of whom have created artwork with their own ideas of "connectivity" in mind. It's described as exploring "the underlying threads of connection found in natural, social, and technological systems." Curated by the folks at Cynthia-Reeves, a contemporary art gallery in Manhattan, the exhibit will feature works by 10 emerging artists — Janet Echelman, Yizkah Elyashiv, Beth Galston, Beth Ganz, John Grade, Daniel Kohn, Jonathan Prince, Shuli Sade, George Sherwood, and Claire Watkins.
Free admission
Etched in the Eyes: David Herman, Jr.
Through June 15Visual Arts
Photographer David Herman Jr. uses his lens to document his roots. A South Carolina native, his subjects are the Gullah people, a small and fascinating African-American ethnic group from the low country and sea islands along the eastern coastline of South Carolina and Georgia. Herman's upcoming exhibit at the Gantt Center will reveal aspects of that culture through photography, video and writing, while examining younger and older generations. Other newly opening exhibits: Jonathan Green: A Spiritual Journey of Life and I Got Freedom Up Over My Head: Portraits by Julie Moos.
$5-$8; Free for members and children 2 years old and under
551 South Tryon St.
Uptown
704-547-3700The World Is Bending
Through June 15Visual Arts
Bending wood is one of those art techniques that I don’t understand — I’ve never witnessed it or been overly interested to read about it. It looks complicated and I kind of enjoy keeping its twisted process a mystery. Folks who share a view similar to mine or who appreciate the craftsmanship of this art form will want to visit New Gallery of Modern art for sculptor Rick Lazes’ The World Is Bending exhibit. Lazes, better known as CEO of the N.C. Music Factory, has been sculpting for three decades. The latest exhibit, filled with sleek, curvy, sharp designs and wood work is described as making “a social statement about the changes and challenges that people around the world are encountering during the early part of the 21st century.” Opening reception with complimentary wine and hors d’oeuvres catered by Bernardin’s on May 17, from 5 p.m. to 8 p.m. Free admission
Sociales: Debora Arango Arrives Today
Through June 16Visual Arts
Colombian artist Débora Arango wasn't exactly what you'd consider "popular" in her native land when her artwork first surfaced there. That's not because she wasn't a gifted artist — using vibrant brushstrokes and zesty figurative detail, her paintings pop with expressionist flair — but rather because of the controversial political and social context that they carried. The Medellín-born artist specifically focused on women's rights and the injustices associated with Colombia's unofficial civil war (known in Spanish as "la época de La Violencia") that occurred from 1946 to 1963. Arango's works cross the U.S. border during Sociales: Débora Arango Arrives Today, an exhibit at Mint Museum Uptown.
$5-$10
Appetite for Risk: Works by Emilio Stanzani
Through July 1Visual Arts
They say you are either remembered or forgotten after death. But Emilio Stanzani falls somewhere between those lines. A renowned Swiss sculptor and artist (1906-1977), his abstract works continue to circulate the globe, yet little seems to surface about Stanzani himself (try a quick Google search and you'll see what I mean). That makes the new exhibit of his works, Appetite for Risk: Works by Emilio Stanzani, at Bechtler Museum of Modern Art all the more curious. Though small, the exhibit only contains 12 works created by Stanzani between 1956 and 1968, it provides insight into the styles of his works, which vary from abstract drawings, sketches and paintings that are polychromatic and shape shifting, to more representational sculptures of wood, stone and bronze. While you're there, be sure to check out the museum's main exhibit, Artistic Relationships: Partners, Mentors and Lovers, as well as other collections of mid-20th century artwork by big name artists. $4-$8 (free for members and children ages 10 and under)
F.O.O.D. (Food, Objects, Objectives, Design)
Through July 7Visual Arts
In recent years, objects used for eating and drinking have taken interesting new turns — rubber ducky tea infusers are plenty proof of that! Mint Museum Uptown's newest exhibit F.O.O.D (Food, Objects, Objectives, Design) takes this concept a step further by showcasing innovative objects that are used to prepare, cook or present food. Antoni Miralda, an artist from Spain, curates the exhibit with products showcased from Alessi and black+blum. The exhibit is comprised of appliances and devices spread out among four categories: table, kitchen, pantry and garden. While you're there, be sure to check out two other new exhibits, Sociales: Debora Arango Arrives Today and Return to the Sea: Saltworks by Motoi Yamamoto.
$5-$10
