Friday, November 20, 2009

Precious: Raw and realistic

Posted by Matt Brunson on Fri, Nov 20, 2009 at 3:12 PM

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By Matt Brunson

PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE

DIRECTED BY Lee Daniels

STARS Gabourey Sidibe, Mo'Nique

"Kitchen sink realism" was the term invented to describe a specific type of artistic movement that took place in England in the 1950s and 1960s, and here comes Precious to borrow that expression for a more modern, decidedly Americanized look at life among the lower classes. Adding to the appropriateness of subletting that term is that fact that a good part of this harrowing drama is set in and around the kitchen, as a frying pan to the head and hairy pigs feet to the arteries both take a toll on the well-being of the story's heroine, 16-year-old Claireece "Precious" Jones (Gabourey Sidibe).

Living with her hateful mother (Mo'Nique), a woman who abuses her in every way imaginable, Precious has to contend not only with a disastrous home life but also with the fact that she's pregnant with her second child, both kids the result of being raped by her own long-gone father. Grossly overweight and largely illiterate, Precious nevertheless harbors a poetic side and can only hope that her life will take a turn for the better. She finally finds some allies in a patient teacher (Paula Patton) and a no-nonsense social worker (Mariah Carey, surprisingly effective), but their encouragement repeatedly gets negated by her mother's assertions that she's ugly, unloved and unwanted.

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The 2009 release least likely to be mistaken for the "feel-good movie of the year," Precious is for most of its running time so pessimistic that it threatens to hammer viewers into a fetal position from which they may never emerge. Yet it's this hard-edged honesty — a far cry from the chipper, meaningless platitudes on view in many other works — that earns this film its stripes. Yet its key ingredient is Sidibe, whose excellent performance crucially transforms Precious from a character to be pitied into a person to be admired.

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  • There's no place like a brutal home in worthwhile drama.

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