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CL's capsule reviews are rated on a four-star rating system.

NEW RELEASES

DADDY DAY CARE There's been a lot of grousing lately about how any time Eddie Murphy appears in a family film, he's wasting the hard-edged skills that initially made him a star in R-rated hits like 48HRS. and Beverly Hills Cop. I'd be more sympathetic to that argument had Murphy only made good R-rated flicks, but the truth is that he's far easier to take in pictures like Mulan and now Daddy Day Care than in foul-mouthed turkeys like Beverly Hills Cop II, Harlem Nights and Vampire In Brooklyn. In fact, Murphy's charming performance proves to be one of the stronger aspects of this PG-rated piffle about two marketing executives (Murphy and Jeff Garlin) who, after losing their jobs, decide to open their own day care center. The usual unimaginative touches are on view -- several flatulence bits, over-the-top comic foils (played by Anjelica Huston and Kevin Nealon), etc. -- but an acceptable number of decent gags, a sweet turn by Steve Zahn as a Daddy Day Care employee with a Star Trek obsession, and Murphy's strong rapport with his young co-stars (especially Khamani Griffin as his son) make this more enjoyable than any level-headed adult could have reasonably expected. 1/2


CURRENT RELEASES

CONFIDENCE If The Good Thief represents the Old School brand of heist flicks, then Confidence serves as its New School equivalent, a picture carrying the torch for Mamet and Tarantino in its love of rapid-fire dialogue, roving camerawork and multiple plot twists. As such, it's one of the better recent examples (it easily overshadows Gene Hackman's Heist and Robert De Niro's The Score), even if it does run out of steam (and originality) before the end. The prime-cut cast is its strongest asset, with Ed Burns oozing charisma as a wily con artist, Paul Giamatti a welcome presence as a straight-talking member of his team, and, in a startling bit of casting, Dustin Hoffman as a venal smalltime kingpin with a quick temper and a fondness for both the ladies and the gents. You also get Rachel Weisz as the requisite femme fatale and reliable Luis Guzman as a corrupt cop, but by the time Andy Garcia gets thrown into the mix late in the game as a shady government agent, it's clear that director James Foley (who orchestrated similar rat-tat-tat patter in Glengarry Glen Ross) and scripter Doug Jung have overstuffed their plates -- in this case, less probably would have been more. 1/2

THE GREY ZONE Roman Polanski's The Pianist may have been showered with Oscar glory a couple of months ago, but the best Holocaust film of 2002 was actually this overlooked drama starring David Arquette, Harvey Keitel and Steve Buscemi. Writer-director Tim Blake Nelson's film goes one step further than The Pianist, which itself went one step further than the traditional Holocaust epic: Whereas Polanski's protagonist was painted not so much as a hero but a valiant survivalist, many of the characters here are painted as morally compromised survivalists who will do almost anything to stave off death for just a while longer. The picture centers on a remarkable tidbit of history: the only successful uprising that ever occurred at the Nazi death camps during World War II. Its primary players are members of the Sonderkommando, a special squad of Jewish prisoners who helped the Germans usher the rest of the Jews into the crematoria in exchange for a few extra months of life. Some of them maintain a stiff upper lip while plotting a revolt, while others are more outwardly emotional, nagged by a crushing sense of guilt. It can be argued that most Holocaust pictures are ultimately about the triumph of the human spirit; befitting its title, this one is more cloudy than that, exploring murky mindsets amid murky circumstances. 1/2

HOLES Louis Sachar's award-winning children's book might be a "must-read" among students and teachers, but the widely circulated trailer made the new screen version look like a "must-avoid." Luckily, the finished product is far more engaging than the clumsy preview would lead anyone to believe -- in fact, it's good enough to be enjoyed equally by kids and their parents. Sachar himself wrote the script, which focuses on the plight of hapless teen Stanley Yelnats (Shia LaBeouf of the Disney Channel's Even Stevens), who's wrongly convicted of robbery and sent to Camp Green Lake, a boys' correctional facility located in the middle of a desert. There, he and the other guys are subjected to the demands of the warden (Sigourney Weaver) and her two sidekicks (Tim Blake Nelson and a hilariously over-the-top Jon Voight), who order the boys to spend every day digging holes. Sachar and director Andrew Davis (The Fugitive) crafted a fresh comedy-drama that nicely weaves the present-day story together with related flashbacks set in the Old West (Patricia Arquette stars in this section of the film); while the ending may tie everything up a bit too tidily, there's no denying that there's real imagination at work here.

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  • On Saturday, Oct. 21, hundreds gathered at Camp North End on Statesville Avenue for Charlotte's first black alternative music festival. We captured some of the bands in action on stage, but mostly we surveyed the grounds as fans, families, vendors and more lounged around the sprawling, colorful Camp North End site. It was a great day of music, food, fun, and sweet, autumn sunshine. (Photos by Mark Kemp)
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