WE BOUGHT A ZOO
DIRECTED BY Cameron Crowe
STARS Matt Damon, Scarlett Johansson
While the concept of dotting the i's and crossing the t's is a wonderful one to pass along to small children just learning how to write, it earns Cameron Crowe a failing grade for rigidly applying it to We Bought a Zoo, a film whose fussiness about every single detail results in audience members not having the luxury to think or feel for themselves.
Based on a true story, this stars Matt Damon as Benjamin Mee, a recent widower who decides, in cornpone Green Acres fashion, to quit city life and move into a country home. As the new owner, he's required to take care of the failing zoo on the expansive property, so he relies on a motley crew of staffers to show him the ropes and bring him up to speed. Eventually, he falls for the lead zookeeper (Kevin James — whoops, wrong movie; Scarlett Johansson), his surly teenage son (Colin Ford) falls for a zoo employee (Elle Fanning), and his demographically-engineered-for-maximum-audience-awws daughter (Maggie Elizabeth Jones) falls for the estate's peacocks.
Watching this movie, it's hard to believe Crowe once helmed such finely crafted pictures as Jerry Maguire, Almost Famous and the underrated Vanilla Sky. As both director and co-writer (with Aline Brosh McKenna), he stumbles right at the start, when he fails to immediately establish essential information regarding the zoo (its parameters, the types of animals it houses, etc.). Instead, he's too busy working overtime to make sure we're visually and emotionally led by the hand so we don't miss anything. If Benjamin says something idiotic, there's a monkey ready to smack his own forehead in exasperation. If Benjamin fondly recalls his dearly departed wife, she's ready to appear in ethereal form. Clearly, Crowe doesn't trust the audience to make it from Point A to Point B without stumbling or getting lost.
Damon and Johansson are reliable as always, and Thomas Haden Church contributes a few chuckles as Benjamin's skeptical brother. But the zoo crew, meant to be quirky, is merely tiresome, the so-called villains (a smarmy inspector, a backstabbing accountant) are laughably manufactured, and the animals are rarely shown in all their glory. But hey, at least they're not burdened with the gift of gab.
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