Thursday, December 2, 2010

Video: Big K.R.I.T.'s "Can't Be All"

Posted By on Thu, Dec 2, 2010 at 2:45 PM

Anybody that's read this blog since Big K.R.I.T. dropped K.R.I.T. Wuz Here, can easily do that math that Mississippi emcee is my favorite new artist.

Apparently the Def Jam signee had some fun during his two days in Charlotte in late October, releasing a new video today for his song, "Can't Be All" with the Queen City as it's backdrop.

Spitting over Outkast's classic, "Aquemini," the rising star rides in a drop top through Uptown getting some thoughts off his chest.

The video was shot by local videographer David Luddy of iLuddy Productions and featured multiple glimpses of local emcee Deniro Farrar. Buzz for the video has other, pretty big name, rappers seeking out content from iLuddy, none of which they could spill just yet but definitely stay tuned.

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Grammy nod for Charlotte's Calvin Richardson

Posted By on Thu, Dec 2, 2010 at 10:46 AM

Great news for local R&B singer, Calvin Richardson.

He was nominated for Best Traditional R&B Vocal Performance for his song, "You're So Amazing" last night.

He'll be up against some big names during February's 53rd Annual Grammy Awards. Also nominated in his category were R. Kelly for "When A Woman Loves," John Legend & The Roots for "Hang On In There," Ryan Shaw for "In Between" and Betty Wright for the live version of "Go."

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Eyehategod and Tab Benoit tonight (Dec.2)

Posted By on Thu, Dec 2, 2010 at 10:45 AM

EYEHATEGOD The rumbling guitars, like slow-moving tanks across scorched earth, are still disorienting. And while sludge rockers Eyehategod, lovingly know as EHG, have clocked detuned, off-tuned, slow mo' guitars as their modus operandi for over two decades, there's an unmistakable blues layer in the reverberations. They mark their signature with sustained chords, amps maxed, bass and drums marching in unison. Also on the bill are Crowbar, Black Tusk and Phobia. $14-$16, Tremont Music Hall, www.tremontmusichall.com

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TAB BENOIT Guitar man Benoit has always sprinkled his brand of blues with Cajun treatments. The sweet riffs, oft amplified with voluminous Texas blues, never blink when it comes to tipping hats to his Cajun and New Orleans roots. His lyrics are sometimes gospel-like, while others are about, well, partying. It's organic and seamless, where blues that can be only born on the bayou linger. Benoit works as a preservationist for the much-beleaguered Louisiana wetlands, to boot. With Anders Osborne & Big Chief Monk Boudreaux. $20-$22. Visulite Theatre. www.visulite.com

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Wednesday, December 1, 2010

CD review: Black Eyed Peas' The Beginning

Posted By on Wed, Dec 1, 2010 at 2:43 PM

BEP

Black Eyed Peas

The Beginning

Nov. 30, 2010

The Deal: Quartet releases its latest club-ready album full of autotune.

The Good: Sometimes Fergie looks pretty hot. Sadly, there are no visuals on a CD.

The Bad: Where do I start on this one? The Black Eyed Peas sound like they've abandoned all sense of originality and have instead tried to put autotune on as much as possible. Fergie can sing, but they still put autotune on her voice?

The opening track, "The Time," is a Dirty Dancing throwback to "The Time of My Life." A couple of tracks later, they actually make a chorus out of the phrase "me love you long time."

The group used to make socially conscious music and offered a message. Now, they're simply trying to get asses moving in the club. It's sad, really. I don't know that I'd even consider most of these songs ready for radio. They're just terrible. "Love You Long Time" has a basic keyboard chord change with a simple techno beat behind it. I mean, did they even try for the new album?

"Someday" wins this album's award for repetition. It's clearly trying to take the place of "I Gotta Feeling."

Fergie has a chance to let her vocals go a bit on "Whenever," but that lyrically weak song is hiding among the rest of the crap contained within.

Many times, I would listen to a track and think, "Surely this has to be over soon" only to realize that it was maybe halfway done. ::SKIP::

The Verdict: The group used catchy choruses to win over the masses in the past, but I can't even say there's anything very catchy here. "The Time" will win the hearts of mindless Dirty Dancing fans, but that's about it. The quartet is better than this, but you'd never know it from this mindless blathering.

They should have spent less time on the road playing the same setlist over and over and more time in the studio. Get ready to suffer through this at the Super Bowl halftime in January.

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ICP celebrates holidays, sadly

Posted By on Wed, Dec 1, 2010 at 10:41 AM

Every once in a while, the ICP posse releases a video that makes me laugh... and weep. It's a good idea, but it's hard to watch and take it seriously.

Check out their latest:

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Sick Puppies tonight (Dec. 1) at Amos' Southend

Posted By on Wed, Dec 1, 2010 at 9:44 AM

SICK PUPPIES The Australian rock trio plays some pretty generic, radio-friendly stuff, but that doesn't mean it doesn't hold its own when it comes to putting on a show. Keep an eye on bassist Emma Anzai, too — not just because she's attractive, but because she can hammer a mean bass riff with the best of 'em. With Terrible Things, Drop D. $15-$18, Amos' Southend, www.amossouthend.com

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