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The Cult w/ The Black Ryders

The Fillmore Charlotte

Nov. 13, 2010

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The Deal: Rockers The Cult offer short, half-hearted set to half-packed Fillmore.

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The Good: The show got started by The Black Ryders who offered a 40-minute set of indie shoegaze rock. The crowd watched, but seemed to have a hard time really getting into it. Scott Von Ryper and Aimee Nash went back and forth on vocals giving some diversity to the music.

The Cult hit the stage at roughly 10:40 and ran through 14 songs — a handful of hits with a few new tunes thrown in. Before “New York City,” singer Ian Astbury broke a tambourine into a few pieces and threw them on the ground — I couldn’t tell if it was planned or frustration.

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While Astbury proved he can still hit all of the notes, his voice also lacked in moments. I noticed it first during “Sweet Soul Sister,” when he simply didn’t hold some of the notes of the chorus, instead ending them short as if he was out of breath. He offered sporadic thank yous, but didn’t say much to the crowd outside of that.

Along with classics such as “Fire Woman” and “She Sells Sanctuary,” they also offered newer tunes such as “Embers.”

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The Bad: The Cult have been playing the same 15-song set list for the duration of their tour and really appeared to have “phoned it in.” While Astbury offered a few glimpses of interest, he also remained somewhat static in his performance.

Having never seen the band before, and knowing that they’ve been at it for decades, I expected a more enthusiastic performance. I wanted a little more emotion from Astbury and a little more flair from Duffy.

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Duffy offered sporadic soaring licks on the guitar, but generally appeared to be going through the motions and raising the occasional “goblet of rock.”

The Verdict: Not a bad show, but I expected more from a band that has been at it for so long — at least show me that you still enjoy being on stage and aren’t just doing it for the paycheck.

The Cult setlist

Everyman and Woman is a Star

New York City

The Phoenix

Rain

Sweet Soul Sister

White

Lil Devil

Nirvana

Spiritwalker

Embers

Rise

Fire Woman

Wild Flower

She Sells Sanctuary

Encore

Love Removal Machine

Jeff Hahne became the music editor for Creative Loafing Charlotte in March 2007. He graduated with a degree in journalism and minor in Spanish from Auburn University in 1997. Since then he has worked for...

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3 Comments

  1. I couldn’t disagree more with your review. The Cult showed remarkable energy, and their setlist was great. Didn’t you notice the crowd going nuts?

  2. I Was there and thought they were great and full of energy, it was the crowd that seemed lackluster. Astbury even called them at it at several occasions but got nothing.

  3. I saw them in Seattle a few months ago, and felt along those same lines about the show. Don’t get me wrong, I love the Cult, and was excited to see them for the first time. But Billy’s “going through the motions” & Ian’s seeming “frustration” strike a chord with my experience of the show.

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