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Proof 

When: Thu., May 9, 8 p.m., Fri., May 10, 8 p.m., Sat., May 11, 8 p.m., Thu., May 16, 8 p.m., Fri., May 17, 8 p.m., Sat., May 18, 8 p.m., Thu., May 23, 8 p.m., Fri., May 24, 8 p.m., Sat., May 25, 8 p.m., Sun., May 26, 2:30 p.m., Thu., May 30, 8 p.m., Fri., May 31, 8 p.m., Sat., June 1, 8 p.m. and Sun., June 2, 2:30 p.m. 2013
Price: $18-$28
Premiering at the Manhattan Theatre Club in May of 2000 and working its way up to Broadway just five months later, David Auburn’s Proof is ... well ... proof that starting small can lead to bigger and better things. In 2001, the play picked up a Pulitzer Prize for “Drama” and a Tony Award for “Best Play,” before going on a continuous run that came to a close in 2003. Afterwards, it was adapted into a film, starring Gwyneth Paltrow, Anthony Hopkins and Jake Gyllenhaal. Reemerging in the quarters of Carolina Actors Studio Theatre, this production doesn’t really need a plug, but for folks who struggle with finding good solutions for things to do, consider this your cheat sheet. But be forewarned: This isn’t the happiest of plays. It revolves around Catherine (played by the talented Karina Roberts-Caporino), who sacrificed her own dreams to care for her mentally ill father (George Gray), a former mathematical genius, while her sister ran off to New York. With his death, Catherine faces her estranged sibling and one of her father’s former students, who thinks that an undiscovered, breakthrough manuscript may be hidden in her father’s office. Add to all this a blossoming romance and some questionable sanity and you’ve got the general equation for Proof.
— Anita Overcash

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