THE HITMANโ€™S BODYGUARD
**1/2 (out of four)
DIRECTED BY Patrick Hughes
STARS Ryan Reynolds, Samuel L. Jackson

Samuel L. Jackson and Ryan Reynolds in The Hitman’s Bodyguard (Photo: Lionsgate)

Oneโ€™s tolerance of The Hitmanโ€™s Bodyguard largely depends on oneโ€™s acceptance of the โ€œbuddy action-comedyโ€ rising from the grave like one of the zombies in a George Romero (RIP) horror flick. Indeed, the script for this rather generic endeavor feels like itโ€™s been sitting on a desk since the late 1980s, gathering dust as stars like Schwarzenegger, Nolte, Glover and even Piscopo hemmed and hawed over whether to sign on the dotted line.

Samuel L. Jackson plays the hitman, set to appear before the International Court of Justice in The Hague to testify against an Eastern European war criminal (Gary Oldman). Ryan Reynolds plays the bodyguard, an outsider whoโ€™s brought in to protect the hitman after it becomes clear that thereโ€™s a leak inside the corridors of power. The hitman and the bodyguard are sworn enemies, but by being forced to work together, they find moments of bonding amidst the hours of bickering.

If it sounds entirely predictable and pedestrian โ€” well, no argument there. Yet what saves the picture is the chemistry between its principal players. Reynolds and Jackson work exceedingly well together, and Jackson and Salma Hayek (as the hitmanโ€™s no-nonsense wife) also work well together. Yet whatโ€™s even more pleasing is that Jackson works well alone. Itโ€™s been a while since heโ€™s surprised us as an actor, but here heโ€™s loose and relaxed and very, very funny.

The Hitmanโ€™s Bodyguard features at least one tiresome car chase too many, and the final half-hour feels as if itโ€™s going to stretch into next week. But even these debits canโ€™t completely diminish the bullseye turns by the winsome protagonists.

Matt Brunson is Film Editor, Arts & Entertainment Editor and Senior Editor for Creative Loafing Charlotte. He's been with the alternative newsweekly since 1988, initially as a freelance film critic before...

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