While long-time Charlotteans still think of McColl Center for Visual Art as the “old burnt-out church,” and others know it mostly as a place to see an exhibition or drop off the kids for summer art classes, the soul of the Center is its artist residencies.

A typical artists-in-residence program is like a retreat, offering artists a quiet place to work without distraction. But the McColl is different — it’s a place artists come to for intense public engagement. While at work in their studios, artist-in-residence are encouraged to keep their doors open and welcome a sometimes wild array of visitors. And now two artists-in-residence at the Center have upcoming projects that will give non-artists a chance to flex their creative muscle:

Somali-born, Toronto-based photographer Abdi Osman, whose work is deeply influenced by his experiences as a black, Muslim, gay male, is inviting the Charlotte LGBT community to take part in the Queer Reclamation of the Queen City Community Outreach Project. Using disposable cameras, participants are photographing local people, places and icons they feel deserve recognition. Osman will use these images as the basis for a commemorative, limited-edition print, which he will then make available to the community.

• Abdi Osman. Photos courtesy of the McColl Center for Visual Art.

With help from a Charlotte Lesbian & Gay Fund grant, over 80 cameras were purchased for this project. So far Osman has distributed more than half of them and will give out additional cameras at Charlotte Black Gay Pride Community Leadership Honors on Feb. 20. If you’d like to participate, contact McColl Center for Visual Art or the Lesbian & Gay Community Center to make arrangements to pick up your camera. All cameras must be turned in by Feb. 28. On March 19, 6 pm.-10 p.m., Osman will unveil his commemorative print at a free, public celebration presented by the Center, Take Over Charlotte and the LGCC.

When Osman started visiting the LGCC, with which he has been working closely since his arrival in Charlotte, he noticed that it served an overwhelmingly white population. In aggressively seeking out people of color, older people and others, he is not only identifying a diverse group for his outreach project, but also hopes to deepen their ties to the LGCC.

Of course, in a successful outreach both the artist and the community benefit. In his studio, Osman is working on a series of portraits, and in keeping with his desire to represent a diverse community, he’s especially interested in finding black LGBT subjects. If you’re interested, contact him through the Center.

• Shaun Leonardo

Artist-in-residence Shaun El C. Leonardo, of Queens, N.Y., is a mixed media and performance artist whose work is a complex mixture of childhood memories, masculine stereotypes and pop-culture references. He’ll present a free performance workshop at the Center on March 6, 2 p.m.-5 p.m. No experience is required, just a commitment to art as a means of communication. Through an organic process based on movement-oriented exercises that he has devised, Leonardo’s goal is to help participants build the courage and comfort to project themselves as if they were performers.

\— Barbara Schreiber

For more info on the Queer Reclamation Project or workshop registration, contact Devlin McNeil, dmcneil@mccollcenter.org or 704-332-5535, ext. 13.

I love life drawing. But I don’t like the self-consciousness that often accompanies it. Even if a life drawing group welcomes everyone, a pro may have a hard time quietly slinking in and out, and newbies often feel inept. This is likely no fault of the group itself; it’s human nature — and not just human nature, but human nature in the presence of a nekkid person.

But what if you were to add levity, costumes and a little beer to the mix? Would that help? I don’t know, but I’m going to find out on Feb. 9, when Dr. Sketchy’s Anti-Art School makes its local debut at Story Slam! Charlotte.

• All photos are courtesy of Bob Nulf/Dr. Sketchy's

Dr. Sketchy’s was founded in 2005 by New York illustrator Molly Crabapple. Since then, her concept (“where cabaret meets art school”) has been picked up by artists, hobbyists, and whateverists in 100 cities on five continents. The atmosphere is festive, but the opportunity exists to do some serious drawing.

“Each month will have a different theme,” says Dr. Sketchy Charlotte coordinator Bob Nulf, who is also a decorative finish artisan and Story Slam facilities manager. As for models, he says, “We're looking for dancers, cabaret performers, contortionists, burlesque queens, costumed folk with a special talent and perhaps a full gallery of tattoos.”

Dr. Sketchy’s is just one aspect of Story Slam! Charlotte’s commitment to the visual arts. The center, which opened last year, engages audiences in myriad forms of storytelling and narrative as practiced by writers, playwrights, poets, musicians and artists. Crabapple describes Dr. Sketchy’s, with its burlesque models, staged vignettes, goofy contests and ample supply of alcohol, as a “literary device,” making it an ideal project for this venue.

So here are the details: Dr. Sketchy’s takes place the second Tuesday of the month, 7 p.m.-10 p.m. at Story Slam! Charlotte, 1401 Central Avenue. Admission is $10. Seating is first-come, first-served; up to 40 people can be accommodated. You must be 18 or older to participate. BYO supplies; there are no tables, but you can bring your own as long as it’s very small. The February 9 session will feature model Greta Zandstra and a Mardi Gras theme, so wear your beads. Any other questions? Call Bob Nulf, 704-763-8001.

— Barbara Schreiber