Arts

Monday, August 1, 2016

Theater review: COTU's O Brother

Posted By on Mon, Aug 1, 2016 at 2:01 PM

In Greek legend, Odysseus was a man of many ways who sacked the sacred citadels of Troy, traveled widely, struggled valiantly, and suffered greatly. But even if this Homeric catalogue of achievements pales in comparison to the praise lavished upon presidential candidates at our quadrennial conventions, there’s something about the guy that continues to spark admiration – despite the fact that he was once captured and imprisoned.

Latterday tributes from Lord Tennyson and James Joyce to Ulysses (O’s Roman name) gradually humanized the Ithacan warlord and brought him down to life-size. Ethan and Joel Coen decided that wasn’t quite enough indignity to heap upon the mythic hero. The Coen Brothers’ O Brother, Where Art Thou not only presented Ulysses Everett McGill as an escaped jailbird, they made him a Mississippi hayseed. If any role George Clooney plays can be considered a hayseed.

On a ridiculously limited budget, Citizens of the Universe bring Odysseus down the social ladder a few more rungs with O Brother, for the costumes and backdrops by Mandy Kendall aren’t Hollywood. On the other hand, the newly unveiled performance space at NoDa Brewing Company – on North Tryon Street – can’t be accused of being Mississippi.

Trailblazing yet another new venue, COTU embraces an outdoor ambiance that is more picnic theatre than dinner theatre. Beer flows from the interior of the spacious new NoDa tavern, and grub is rustled up from a food truck you can’t miss on your way in from the parking lot. There’s a bluegrass trio at the side of the modest playing area: the Hashbrown Belly Boys, who start up before the odyssey begins. Very relaxed and homespun.

Energy amps up as soon as director Courtney Varnum, perky and pigtailed, steps forward to introduce the show. O Brother is only loosely based on Homer’s epic – and loose only faintly describes its trashy, Southern-fried, slapstick style. These are not realms usually explored by James Cartee and his COTU, but Varnum has been able to round up more than a couple of the usual suspects from past COTU navigations.

Tom Ollis is the one Citizen you would expect to fit in well in this new rusticated universe, playing “Pappy” O’Daniel, the gregariously corrupt Mississippi governor seeking re-election while hosting a Grand Ole Opry-style radio show on the side. Sort of a cross between Tennessee Williams’ Big Daddy, Huey Long, and Yosemite Sam the way Ollis plays him – mythologically, he’s Menelaus in the scheme of things.

Most surprising is Shane Brayton as our hero Ulysses, after playing opposite Ollis as an arrogant Richard the lion-hearted in The Lion in Winter. Down in the Delta, Brayton taps into hillbilly pluck, energy, optimism, and rascality in a way that I’d likely find irresistible if part of the audience weren’t partying and oblivious. Of course, persisting in the face of such loud inattention adds to the pluck factor, but I found the entire cast up to that challenge.

We need to listen all the more attentively because some of the actors’ names are flip-flopped with the names of the folk they play in the playbill. The most obvious of these is “Sheriff Cooley as Stephen West-Rogers.” While he isn’t quite as megalomaniacal as he was in Fight Club or as violently vehement as he was in Trainspotting, West-Rogers is more than sufficiently implacable and clueless as the Sheriff.

Make no mistake, all of these principals are surrounded by sidekicks or underlings that make them look like sages. “Pappy” has Michael Haynes as Junior O’Daniel and Jeremy Bryant as Pap’s political opponent, Homer Stokes, who turns out to have clout in the KKK. Sheriff Cooley has Justin Mulcahy as his standard-issue deputy, and Ulysses is saddled with Michael Anderson as Delmar O’Donnell and Josh Elicker as Pete Hogwallop – Varnum and Charlie Napier extend the deep-down hayseediness of the Hogwallop family.

Not counting the vocal trio of Ulysses’ daughters that doubles as the Sirens, three of the actors zip through multiple roles. Napier stands out as the aforementioned Wash Hogwallop, as a Blind Seer modeled on Teiresias, and as a marauding gangster with a chip on his shoulder, George Nelson, because he’s not the more infamous Babyface. All the great menaces of The Odyssey don’t appear in this hashbrown mashup, but we do get Scotland Gallo as “Big Dan” Teague, certainly Polyphemus with his eyepatch, and Kendall as Penny, Ulysses’ wife.

All of Penelope’s famed suitors coalesce into one Vernon T. Waldrip (Napier again) and, with this Ulysses, Kendall’s infidelity doesn’t play as sluttiness so much as cold pragmatism. A ne’er-do-well jailbird – as opposed to an MIA hero – should cause a sensible wife to make new plans, even in the backwoods. Calypso’s shtick in the journey gets merged into the three singing Sirens – Becca Whitesmith, MoMo Hughes, and Laura M Lee.

As you’ve no doubt divined, Odysseus’ sea voyage and his epic struggle to return home after the Trojan War have been downsized to a comical chase triggered by Ulysses’ jailbreak. Toss in the bluegrass music and it shouldn’t be surprising if O Brother sometimes reminds you of Smokey and the Bandit – without the same Hollywood charisma from the lead rascal. Igniting the chase, Ulysses cons Delmar and Pete into joining him in the escape by enlisting them in a quest for a treasure that he has hidden at the bottom of a valley soon to be flooded to create a dam. Echoes of Deliverance, another bluegrass bromance.

Only here, the music is more deeply woven into the storyline. For along the way, the three escaped white men hook up with Tommy Johnson, a black musician who claims to have gotten his phenomenal skills in a deal with the devil, a la Robert Johnson. On one of their stops before they break up, the quartet cuts a record as the Soggy Bottom Boys. It’s at these key musical moments – and subsequently at his KKK lynching – that we encounter yet one more familiar COTU personality, James Lee Walker II, best remembered for his one-man presentation of Karl Marx.

Walker is a bit humbler this time around. Everybody is. Sifting through the distractions, I’d say that Koly McBride’s O Brother tribute/arrangement of the Coen Brothers’ film is among the very best adaptations COTU has ever done. If the ratio of audience to partyers can be boosted significantly this weekend, the experience will be even better.

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Today's Top 5: Monday

Posted By on Mon, Aug 1, 2016 at 12:49 PM

Here are the five best events going down in Charlotte and the surrounding area today, Aug. 1, 2016 as selected by the folks at Creative Loafing.

Cindy Kaza at The Comedy Zone
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The Monday Night Allstars at Double Door Inn

Yoga on the Roof at Rooftop 210

Trivia at Sir Edmond Halley's

Karaoke at Vida Vida

Friday, July 29, 2016

Today's Top 5: Friday

Posted By on Fri, Jul 29, 2016 at 7:00 AM

Here are the five best events going down in Charlotte and the surrounding area today, July 29, 2016 as selected by the folks at Creative Loafing.

• Charlotte Artist Showcase at Sugar Creek Brewing Co.
Painting by Jen Hill.
  • Painting by Jen Hill.


Silent Disco at Rooftop 210

24 Hours of Booty Charlotte in Myers Park

• Best Of Open Mic Celebration at McGlohon Theater

• Brio w/ Nige Hood, King Callis, Brass Monk and Blue House Band at The Station

Thursday, July 28, 2016

Today's Top 5: Thursday

Posted By on Thu, Jul 28, 2016 at 11:36 AM

Here are the five best events going down in Charlotte and the surrounding area today, July 28, 2016 as selected by the folks at Creative Loafing.

Feast On Culture w/ Michael W. Twitty at Founders Hall
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• A Silent Film w/ Margolnick of Flagship at Visulite Theatre

Drew Lynch at The Comedy Zone

Trivia at VBGB

Alive After Five w/ Rubberband at Rooftop 210

Wednesday, July 27, 2016

Today's Top 5: Wednesday

Posted By on Wed, Jul 27, 2016 at 12:11 PM

Here are the five best events going down in Charlotte and the surrounding area today, July 27, 2016 as selected by the folks at Creative Loafing.

The Stray Birds at The Evening Muse
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• Black Southern Belle Charlotte Tastemaker Summit at Tuft

• Patabamba w/ El Malpais at Snug Harbor

• Sustainability Education through Action and Outreach at Freedom Park Pavilion

• Counting Crows w/ Rob Thomas, K Phillips at PNC Music Pavilion

Monday, July 25, 2016

Today's Top 5: Monday

Posted By on Mon, Jul 25, 2016 at 3:59 PM

Here are the five best events going down in Charlotte and the surrounding area today, July 25, 2016 as selected by the folks at Creative Loafing.

• Still Life Workshop with Marc Chatov at Charlotte Fine Art Gallery
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Donna Scott Productions' Women Entrepreneurs in Business and Arts Speaker Series at Charlotte Art League

Monday Night Allstars at Double Door Inn

Yoga on the Roof at Rooftop 210

Cocktails and Gardens at The Duke Mansion

Sunday, July 24, 2016

Today's Top 5: Sunday

Posted By on Sun, Jul 24, 2016 at 7:00 AM

Here are the five best events going down in Charlotte and the surrounding area today, July 24, 2016 as selected by the folks at Creative Loafing.

Tunes for Tarrah at Evening Muse
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• Urban Gypsy Traveling Trunk Show at Tuft

Sarah Jarosz at McGlohon Theater

• Paint Session at Rocky River Vineyards

• Snoop Dogg w/ Wiz Khalifa at PNC Music Pavilion

Saturday, July 23, 2016

Today's Top 5: Saturday

Posted By on Sat, Jul 23, 2016 at 7:00 AM

Here are the five best events going down in Charlotte and the surrounding area today, July 23, 2016 as selected by the folks at Creative Loafing.

Garbage at The Fillmore
Garbage (Photo by Joseph Cultice)
  • Garbage (Photo by Joseph Cultice)

• Raiders! The Story of the Greatest Fan Film Ever Made at C3 Lab

• Urban Gypsy Traveling Trunk Show at Tuft

• Campus Pride Homecoming Celebration at Johnson & Wales University

Gwen Stefani at PNC Music Pavilion

Friday, July 22, 2016

Theater review: If/Then

Posted By on Fri, Jul 22, 2016 at 5:13 PM

Unless you’ve been stubbornly clinging to some medieval idea of predestination, you’ve probably realized that the unfolding of your life, like human history, is simply one actuality plucked from an infinite number of possibilities. There are so many profound, iffy, or split-second decisions along the way that could have led you to different outcomes, so many instances of split-second timing that could have put you in different places – or in different company.
If/Then (Jackie Burns)
  • If/Then (Jackie Burns)

Brian Yorkey’s book for If/Then, with music by Tom Kitt, isn’t the first script to show us what happens if a single stitch in history is dropped. It’s a Wonderful Life demonstrated the difference a single person can make in the lives surrounding him and in a town’s destiny. Back to the Future was a sci-fi study of a how the slightest tweak of the past can resonate – and radiate – for generations to come.
Yorkey gives us an evening-long double exposure for just a few years in the life of Elizabeth. A talented woman with city planning creds, Elizabeth bumps into two old chums in Madison Square Park when she returns to New York after divorcing her husband in Phoenix. Lucas is a bisexual old flame who is hyper-seriously immersed in activism, while Kate is a gregarious lesbian who’s an ace kindergarten teacher.

Hinging on whether she picks up a cell phone call or not, Elizabeth either leaves the park with the intention of meeting Lucas or Kate that night. Meeting Lucas, she becomes Beth, the powerful city planner. Or she’ll rendezvous with Kate – on a course to become Liz, meet a future husband, drift into teaching and motherhood, and wear glasses to make herself look smarter.

Scenes in Beth’s life and Liz’s life dissolve into one another as the glasses come on and off, lightly pointing out the joys and sacrifices of both career and family. At times, scenes merge – at Elizabeth’s birthday party or in her bedroom. Sound confusing? It is.

After seeing Idina Menzel star as Elizabeth on Broadway, I found it much easier to track Liz and Beth’s separate lives in the touring version now at Belk Theater. Yet after concentrating so hard on sorting out the Beth path from the Liz path, I still had to confront Yorkey’s confusing loop back to Madison Square Park at the end of the night – and the numinous haze that Elizabeth’s best friends had been turned into.

For the paths Elizabeth takes affect the destinies of both Lucas and Kate. In one scenario, Liz’s future husband introduces Lucas to his future husband, and in the other scenario, Beth is there to prevent Kate from divorcing her wife. In the welter of Kitt’s power ballads, the ones Liz sings so much like Beth’s, the background and the whole point begin to get blurry.

On Broadway, Menzel appeared to be a self-absorbed superstar condescending to play two mere mortals most of the night. I actually like Jackie Burns better on the tour. Yes, Burns turns every one of her ballads into an American Idol extravaganza as Menzel did, adoring her own voice to the point of frequently obliterating Yorkey’s lyrics, but she invests herself more in Liz and Beth between ballads, and we can feel more for her when her hearts are broken. True, her climactic “Always Starting Over” isn’t the three-act opera Menzel made of it, but her “What the Fuck?” just might be a little more comical – because Burns is more inclined toward vulnerability.

As Lucas, Anthony Rapp gets to be tender in the Beth scenario, singing “You Don’t Need to Love Me.” Opposite Liz, Lucas is more appealing and domestic, responding to the more romantically inclined David (Marc Delacruz) in the “Best Worst Mistake” duet. But apart from his opposition and cynicism when Beth accepts a high-powered government job, Lucas doesn’t really figure in the important dialectic.

That’s where Kate and Josh come in. When Liz runs into her future husband for a second time in a subway car, it’s Kate who tells her that the universe is trying to send her a message in “It’s a Sign” – and that Josh is the messenger. Combatting Liz’s rationality, Tamyra Gray has the kooky energy you’d expect from a prize-winning schoolteacher who proudly consults her horoscope and believes in fate.

Seen first in military camo after a tour of duty overseas, David either does or doesn’t encounter Elizabeth at the right split second in the park, but it turns out that he combines brawn and brains when he does, for he’s a surgeon. His arguments against Liz’s rationalism and her actuarial calculations of probability are more eloquent in “You Never Know” and more existential in the “Here I Go” duet.

Matthew Hydzik keenly understands the connection between those songs as Josh, and he brings out what is compelling about their arguments better than his Broadway counterpart. Statistics aside, we don’t really know what’s going to happen in the future, and any tough but important decision we make in life will always be an intrepid plunge into the unknown. Even when things don’t work exactly as we hoped and planned – which is what the odds truly favor – it’s questionable that we’d want a do-over. For what we experience becomes who we are.

That’s pretty much what Liz is telling us in “Always Starting Over.”

Now do Elizabeth’s forking paths offer us a fresh insight – or are they an effective way to underscore the preciousness and suspense of every moment that we live? I’m only slightly more convinced the second time around. People that I overheard leaving Belk Theater on opening night were more preoccupied with figuring out what had happened than what it meant.

Today's Top 5: Friday

Posted By on Fri, Jul 22, 2016 at 4:20 PM

Here are the five best events going down in Charlotte and the surrounding area today, July 22, 2016 as selected by the folks at Creative Loafing.

Zakk Wylde at Amos' Southend
Zakk Wylde (Credit: Justin Reich)
  • Zakk Wylde (Credit: Justin Reich)

Christmas in July at Rooftop 210

Donnie at Neighborhood Theatre

• 12th Annual Schloss Summer Lecture and Dinner at Temple Beth El

Sister Act at CPCC's Halton Theater

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