Creative Loafing's own funky photographer Jasiatic is the subject of an art show coming to Crave Dessert Bar (500 W. 5th Street) on March 14. She'll be showing off portraits from her blog, Who Shot Ya?, and for a small fee she'll also be shooting "headshots" on the spot at the event. Bring your a$$.
In case you're wondering, Diddy actually did make it to town this past weekend. Here's the footage to prove it:
Johnson C. Smith didn't look great in their effort to three-peat as CIAA champions against upstart Chowan University. But inside the arena, the bad ball by JCSU in the first half wasn't the only god-awful things seen at the Cable Box.
Here's a new CIAA rule that you should keep in mind when you're attending the games: Five inch heels are not your friend walking around the hard floors of the arena. Countless women slow-walked though the crowd trying to get to the concessions at half time with JCSU losing to Chowan 25 to 33.
In the second half, Chowan proved that being the new kid didn't mean they were going to lose in their first CIAA tournament appearance. The two-time defending champions came out in the second half playing as if they'd been walking around all day in five-inch heels. With 2:53 left in the game, Chowan was up 63 to 44, making it painfully obvious that the Golden Bulls wouldn't be repeating as champions.
Final score: Chowan: 74 JCSU: 46
"Ray-Ray, where are you?" (Quote of the night.)
Looks like Matthews native Brooklyn Decker made it. Congrats! Check out our interview with her here.
Today would have been the 75th birthday of Elvis Presley. The human being behind the icon has long been relegated to the sidelines, which is how mega-celebrity works. Its the icon, for better or worse (in other words, slim Vegas Elvis or fat druggie Elvis), that first comes to most peoples mind when they hear his name today. But its the young, startling Presley that really matters, the sneering, joking smartass who played a major role in liberating American culture; thats the guy who should be celebrated.
Presleys thrilling early brazenness is part of his legacy thats usually buried under the wave of commercial exploitation, and worn down by his own history of long decline. But at his most important, his most daring and his most dangerous -- in those three or four years before commercial pressures, the Army, and the long tentacles of his manager, Col. Tom Parker, squeezed the spark from him -- Presley was the raw flame, America's own funhouse mirror that, depending on your outlook, either reflected a scary, vulgar delinquency or a completely unexpected excitement and sense of liberation. It was his toppling of the status quo, and his recognition of black and white interdependency, that lay at the heart of his initial appeal, and were what ignited rock & roll's Big Bang and the cultural roller coaster ride its provided ever since.
Yes, in the end, he blew it, victimized by his celebrity, insecurities, and horrendous management. Presley certainly wasnt the first entertainer to suffer a similar fate (Jean Harlow or Michael Jackson, anyone?); come to think of it, its hard to think of any artist in any field who could keep the raw flame burning for an entire career. But at one time, Presley set the world on fire, he felt like an earthquake rumbling through the land, he opened white eyes to black music, and he brought Americans the gut feeling that everything had changed.
Weve written about Presley before, and you can read a longer piece about him here. Meanwhile, heres a verse from singer Gillian Welchs Elvis Presley Blues, celebrating the mans effect on the nations racial/cultural divide, and the young king himself, doing a shortened version of "Hound Dog" in 1956.
Now he took hold of Black and White,
Grabbed it in one, then the other hand, and he held on tight.
And he shook it like a hurricane,
he shook it like to make it break.
He shook it like a holy roller, baby, with his soul at stake,
his soul at stake.
Well it seems that Vanity Fair has decided to put embattled Tiger Woods on the cover, only with photos taken four years ago by Annie Leibovitz. Surprise, surprise -- he looks like he's on a prison yard, bare chested and all. Like me, he looks better with his clothes on. At any rate, Leibovitz has done what she always does take the black man back to his most primitive and primal image. Yet another plantation fantasy reminiscent of O.J.'s Time Magazine cover where he was actually darkened. Tiger is looking more "bl" than "cau" and "asian" in this one. He definitely looks darker in complexion and posture. Perhaps Leibovitz should focus less on perpetuating stereotypical images of EVERYONE and more on managing her money.
Maybe we're too hard on reality stars.
Sure, they're generally narcissistic and walk around with a pseudo-importance during, and even years after, their 15 minutes of fame are up. But how many of us would turn down the opportunity to spend a summer in an LA mansion, being VIP at every club, and of course, drinking from a seemingly unlimited supply of alcohol provided by the show's producers. I'd say, "Fuck my internship," too.
Everyone you see partying, fighting, crying, bitching and ultimately building alliances to "survive" on reality TV has their own reason for auditioning and Charlotte native Kendra James' was a whim.
She decided to road trip from Greensboro, where she was in college, with her girls to attend an open casting call in Charlotte, and after months of calls backs she found herself on season four of Oxygen's Bad Girls Club. Sounds way hotter than the Biggest Loser.
We recently caught up with the Queen City resident turned reality show hottie and talked about her TV experience.
Creative Loafing: How long was the audition process for the Bad Girls Club?
Kendra: I started doing The Real World. I did seven interviews with Real World, and then they called me and said you didn't make the Real World but do you want to try the Bad Girls Club and then I had three or four interviews with the Bad Girls Club.
Was it hard for you to drop everything and say, "I'm gonna go out here and live with a bunch of girls on TV"?
Well, Initially it was over the summer, so it was easy. I wasn't in school, I didn't really have any obligations, so it really easy for me to say I want to take this opportunity. But it ended up going over into the school year, so I had to push back my graduation date. I definitely wouldn't change anything, but it definitely changed my plans a little bit.
What do you think the response is going to be when you get back there [UNCG]?
It's going to be really really crazy. I think Greensboro's going to be flipped upside down a little [laughing]. And people who thought they knew me won't know me, and people that know me are going to be excited so it's going to be mixture of responses, I think.
You're a member of Alpha Kappa Alpha Sorority Inc., and stereotypically you wouldn't associate AKAs with doing anything crazy. So what do you think people are going to think? Do you think your sorors are going to be mad at you?
At the end of the day, I know that the Kendra that is an AKA is still an AKA, but that doesn't define the total person that I am. I'm still 22. I'm still young. I'm still going to make mistake. I'm still going to be controversial and my own personality, so I'm an AKA first, but I'm also a human being and a young woman for a reason. So people ... they have to be realistic about what it is to be a woman, what it is to be in college and what it is to be in an organization, whether that's a sorority or not.
You'll be out in May [graduation] so what do you hope this leads to?
Right now it's leading to a lot of opportunities. Just a lot of money making potential, I'm meeting a lot of people and being able to travel. That stuffs all well and good but I'm pre-law so my real, true goal is to go to law school and that's never changed. So whatever happens with the show is fabulous but I also have another back up plan.
Once you get on this reality show alum circuit, the money making opportunities don't dry up for a while. I mean you still see Real World people from years ago making money for club appearances, so what do you think the BGC will do for you in that sense?
Bad Girls Club, because it's really new and really taking off, we haven't seen the longevity of how long the girls can last from the show. But I think me personally, the BGC thing will fade away, and I can still be a personality in the spotlight.
It might very well pay for law school ...
It might, and I definitely have a story for my entrance essays so it's all good.
Being on the inside, what was the experience like living with a bunch of girls and having cameras tape everything? It's not like you had to kiss Flavor Flav or anything.
What is so weird about TV is that the audience becomes a little bit naive to what it takes to make a TV show, and they think the only thing they see on TV is the only thing that happened. And that's not the case. We were filmed for 24 hours a day, 75 days total; two and a half months, every minute of every day, and they can't possibly show that in an 11-episode series. So you're gonna miss a lot of things. Stories are going to be skewed a little bit, and you're going to miss good times when they just want to see the fights and arguments. I'm available to defend every argument you see, but you have to realize, as a regular person, that that's, of course, not it. And every time you see a fight and an argument, there's like 15 people behind the camera that you don't see, so it's crazy.
Fifteen people NOT breaking it up ... [laughing]
Mm hmm.
What's been the response so far? Like, are you recognizable? Have you seen your Facebook friend additions go up?
Oh wow, yeah my Facebook and Twitter have really blown up! But that was expected. On the streets, not really yet. I'm sure after a couple episodes, it'll get a little crazy. There's definitely support out there but it's definitely a lot of negativity, too, which I knew was going to happen. I mean, I'm not on The Apprentice I'm on The Bad Girls Club. People are happy to see Charlotte on TV. And yeah, you're going to be a little upset [by] some things I do, but I think at the end of the day, everybody's going to be proud.
So you're not worried at all about how this may change your image or people's perception of you?
Umm ... [pause] no, no. I think If i was naive or a little bit dumb [laughing] it may skew me, but I'm so confident in what I did there. I'm confident in the progression and things that I've learned there that I'm ok with it. You know you can't please everybody, but I definitely had great time. I definitely experienced some things that people only dream of experiencing, so the good outweigh the bad.
Given the nature of the show, was there any incentive for you to play it up a little more to be badder than you actually are?
There wasn't any incentive but it was just the situation, know what I mean?
What else do you want to tell people in Charlotte?
I want them to know that, at the end of the day, I'm not some regular, dumb broad, wanting to flaunt everything on TV. They found me while I was in school, while I was studying for my LSATs, while I was still having fun, still wanting to be crazy but also knew how to act, so you're going to see a mixture of it. Respect the reality of it, respect the fakeness of it, respect that I'm just a wanted to house sit out in LA. So you have to take it all in, you can't just be negative about the whole thing.
Let's be honest. Free rent, free booze and tense situations? We'd all have a drunken night and a drunken fight or two.
You can watch the Bad Girls Club Tuesdays at 10 p.m. EST on Oxygen. For more information on the show check out the Bad Girls Club Web site.
Mike McCray
As the Baltimore Ravens scored to time the game at versus Minnesota Vikings with 3 minutes 37 seconds left in the fourth quarter, a tune familiar and fierce began to rise above the cheers and whistles ... until, before long, the entire stadium was engulfed in a hearty rendition of legendary rock band Journeys signature song, Dont Stop Believin. From Broadway to cable to sports, the nearly 30-year-old hit just keeps on swinging.
The 1981 power balled is a soaring, hard rockin anthem for those who refuse to let a little thing like doubt keep them from what they want. The song reached No. 8 on Billboard's Mainstream Rock chart and No. 9 on the Billboard Hot 100 chart.
That was back then. Now, the tune has taken on a life of its own due to repeated appearances on some of TVs hottest shows.
In 2008, it was the 72nd most downloaded song in the iTunes store and is its "most downloaded song not released in the 21st century" of all time. Arguably, the most recognizable and most referenced song in popular culture right now, but it received a jolt of new life by the finale of HBOs addictive series The Sopranos in 2007. In fact, sales of the song on iTunes rose 482 percent over following days. It has shown up on Family Guy, Scrubs, and MTVs Laguna Beach.
Earlier this year, contestants from American Idol sang Dont Stop Believin as a group at the beginning of the results show, and if you caught them when they rolled through Time Warner Cable Arena in August, the song was used as the closing group song for the Season 8 tour. It was ranked as the 11th greatest song on VH-1s Greatest Songs of the 80s countdown. Most recently, the cast from one of my favorite new shows Glee performed a cover of the song.
So, what is it about the song that seems to transcend generations and genres? Sure, much of its resiliency is due to its own purely musical kick-ass nature. But its one of those rare creations with a message that speaks to a feeling to which most anyone can relate. Dont Stop Believin brings us to a place we have all been at least once a point where with a dream in our hearts, we throw caution to the wind and, even when the odds seemed stacked against us, we soldier on and ... well, at the risk of stringing together any more motivational clichés, its a damn good song from the lyrics to the instrumentation to frontman Steve Perrys powerful delivery and is, thankfully, not at all like much of the unintelligible and incomprehensible music in heavy rotation on the radio today.
If you are currently living under a rock and have no idea what this song is, the band is perpetually in tour mode, albeit without the golden-piped Perry.
A few months ago, the popular Atlanta-based nightclub event Sol-Fusion popped into Charlotte in an attempt to bring the party to North Cack. Well, it was so successful with a packed house full of great music and dancing ladies and guys the promoters behind the first event (Charlotte's Mike Kitchen and Atlanta's J. Carter) have decided to bring it back for a sequel.
It all goes down tonight as Sol-Fusion sets up shop at the night-spot KISS for an extravaganza that's titled "NY vs. the South." It's a music/cultural war that's free before 11:30 p.m.
For more info, click right here.
Eight hours.
Not the span of a typical workday and not the driving distance from here to Cleveland eight long hours is the longest amount of time I have spent in a salon to get my hair done. It was a maddening experience all in the name of beauty.
From Tyra revealing her real hair on the season premiere of her show a few weeks ago to Oprah coaxing Chris Rock to run his fingers through her hair to prove, much to my amazement and probably that of most of her viewing audience, that her current hairstyle is comprised entirely of her natural locks, the topic of hair, particularly black womens hair, seems to be floating around quite a bit these days not that the topic ever actually went away.
For generations, women have been obsessing over their hair. Many black women, in particular, have struggled with trying to turn what, for many, is naturally kinky hair into long, flowing strands. On an episode of Oprah that aired this week Rock revealed that his daughter was admiring the hair of her white friend a little too much for his comfort. He said that although he tells both of his daughters every day that they are beautiful, they still seemed dissatisfied with their natural hair texture. The proverbial light bulb went off in his head, and his new documentary called Good Hair was the end result.
Good Hair focuses a lot on the plight of black women and hair, but it also opens up the discussion for women of all races to be able to ask each other questions, get answers and swap stories about the extreme lengths they have gone to obtain just the right look from chemical relaxers, Brazilian straighteners, texturizers, weaves, hair pieces, and the umpteen hours spent on a regular basis to get the hair trimmed, touched-up, and just plain tampered with in general by a professional.
My eight-hour salon experience sounds ridiculous I know, but it is also not entirely unusual in the black community. The $9 billion dollar industry that is black hair care has made many an otherwise sensible woman an absolute slave, both financially and time wise, and to her hair. It can become an ordeal. If you have ever found yourself planning things around your hair such as when to exercise so you do not sweat your perm out or staying conspicuously far away from the pool at a pool party so you wont get pushed into the water and have to cut somebody or giving the evil side eye to someone who looks like they are about to touch your hair out of curiosity or having to sleep cute at night to avoid messing up a fresh do, then you know what I mean.
Extensions, braids, locks, relaxers they all require some level of maintenance; however, as one stylist interviewed for Good Hair said, Weaves are where the money is. Apparently, you can put a weave on layaway like any other big-ticket item, and weaves have become so popular in America that hair has translated into a big-time trade in India. In Indian culture, removing the hair is considered an act of sacrifice in exchange for the gods blessings. Much of this hair is then shipped off to the States. This black market hair market has made hair one of Indias largest exports.
For some women, its have weave, will travel. One lady traveled clear across the country to get just the right weave. In that same vein, I have known several female acquaintances who moved to Charlotte from other places and would commute often lengthy distances on a regular basis back to their hometowns just to get their hair done by the same person.
So why the obsession? Surprisingly, Rock found that it had more to do with a womans esteem rather than the mere common assumption that women do it for the attention of men. And the phenomenon wasnt just among black women. According to the show anyway, hair coloring is to white women what weaves are to black women. Caucasian comedienne Ali Wentworth admitted to Oprahs audience that with her hair dyed blond, she feels more striking versus how she felt when she wore her natural dishwater brown color. One white woman interviewed in a salon said she had colored her hair so much that she didnt even remember exactly what her natural color is. And both Wentworth and Oprah mentioned that they couldnt recall one white friend who still wore her natural hair shade.
To sort of bring the discussion full circle, Solange Knowles, younger to sister Beyoncé, came on the show last and displayed her newly cropped all-natural coif. She claims she wanted to be free from the addiction of weaves and spending $40,000-$50,000 a year on hair and half of her life in salons. She even disclosed the shocking fact that she received her first perm when she was just four years old, a practice Rock said hes strongly against.
I have to admit that I agree with Rock when he said that Solange was more noticeable now because of her look than she ever as before when her weave made her look like any girl walking down the street. The beauty of her face was much more pronounced without the distraction, if you will, of a big head of fake hair. Thankfully, Afros, locks, cornrows and other natural styles are becoming popular again and, perhaps more importantly, more acceptable by todays mainstream society. Women have often been told that our hair is our crowning glory. So, in a world where long, silky dyed strands still dominate most images of standard beauty, its nice to see women confident and self-aware enough to do something considered as drastic as (gasp!) flaunting their natural hair.
So, whether you want to be unbe-weave-able or live nappily ever after, all hair can be good hair as long as its just another extension (pun intended) of the beauty within.