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Thursday, October 1, 2009

CIGNA punishes suffering woman ... again

Posted By on Thu, Oct 1, 2009 at 1:35 PM

From Dawn Smith, originally sent to MoveOn:

I'm at the end of my rope. What CIGNA is doing to me is — well, it's outrageous.

I have a brain tumor. Doctors are ready to help me. But CIGNA has been blocking me from getting testing and treatment for two years, while almost doubling my premiums.

Then, this week was the kicker. CIGNA's pharmacy called to say that the co-pay on the medicine that helps control my debilitating head pain is skyrocketing from $10 to $1,115. That's not a typo. They're making me pay one hundred times what I'm paying now, in addition to my $753/month premium.

I can't afford that. So when the pain comes, I won't have any defense. I'll spend hours in the fetal position, out of my mind with pain.

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Theater review: A Chorus Line

Posted By on Thu, Oct 1, 2009 at 12:55 PM

A Chorus Line

Belk Theater

Sept. 30, 2009

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The Deal: Broadway Lights Series begins with the enthusiastic dance production, A Chorus Line, at Blumenthal Performing Arts Center's Belk Theater.

The Good: The plot for A Chorus Line is simple. It’s musical about some very ambitious dancers, who all have high hopes for one thing: being cast to dance in the spotlight of a well-recognized show. But, a sad reality stands by in the backdrop of auditions. It’s a little like death, and it’s just waiting to take some one away. Not all of the dancers will make the final cut, even though they may all possess the talent and skills to excel. It comes down to who is picked, and that’s that, the game of life. But don’t let the humdrum-ness of the dancers’ looming possible failure turn you away from performances of A Chorus Line. It’s fun. As the dancers stand in line and talk/sing about themselves, charisma spreads. Each dancer has his/her own story, background, drive, and personality – and the audience is in on it, as characters present themselves with a real kind of feel. Music wise, songs like “I Hope I Get It” and “Sing!” are cute and catchy, while others like “At the Ballet” are sincere and heartfelt. The show ends with a grand finale of dancers strutting the stage in sparkling costumes covered in sequins. A Chorus Line is a happy, feel-good kind of show. No doubtedly, it has an enlightening point: rejection is a part of life, talent takes hard work and dedication, and dreams (big or small), sometimes come true ... and sometimes don't.

The Bad: A Chorus Line is exciting, but far from being the “The Best Musical,” as posters advertise for the show. It’s good, but not the best. Also, no intermission … I didn’t know that going in, but now I understand why folks were running to the restrooms in a frenzy before the show started.

The Verdict: Go see it. A Chorus Line will boost your spirits and leave you feeling inspiried. Performances continue through Oct. 4 at Belk Theater.

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March to oppose interest-rate extortion

Posted By on Thu, Oct 1, 2009 at 12:25 PM

OK, now Ken Lewis is leaving Bank of America. Good, and good riddance. Now, bring on the next extortionist-in-chief. Strong language? You bet, but what else do you call a company that takes billions in taxpayer money and then further covers its butt by arbitrarily jacking up credit card interest rates to, in many cases, as high as 30 percent? "Thank you, valued customers, we appreciate your business."

If you’re as fed up with banks and credit card extortionists as everyone else, you might be interested in an event taking place tomorrow here in Charlotte. A group of pastors, students, activists, veterans, and regular ol' citizens will march to the Bank of America and Wells Fargo/Wachovia corporate offices in support of new laws that would reinstate penalties for usury (excessive gouging through exorbitant interest rates). Did you know that at the founding of this country, interest rates were capped at 6 percent? The march tomorrow will urge Congress to cap interest rates at 10 percent, thus the name of the campaign, 10 Percent Is Enough. The march starts tomorrow at 11:30 a.m. at Mt. Moriah Baptist Church on West Trade Street. Find out more information about the 10 Percent Is Enough campaign and tomorrow’s march here.

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This used to be his playground

Posted By on Thu, Oct 1, 2009 at 12:24 PM

His is truly a rag-to-riches story. Ken Lewis, son of a single mother, started his banking career at the bottom of the ladder -- after paying his own way through college -- and worked his way up to become king of Charlotte. And, now, in the midst of investigations spurred by the biggest economic snafu since the Great Depression, The Ken is waving goodbye.

For those who've been calling for his head, do you feel better now?

I'm guessing The Ken feels better. Maybe now he can relax. Maybe now he won't need a smile coach. For years he's made lottery-size salaries, so now, perhaps, he can enjoy his own bank account and live life like a rock star ... or a hermit, whatever floats his uber-rich boat. (Just remember, The Ken, the best things in life are always free.)

Meanwhile, the investigations continue, so this isn't the last we've heard from, or about, The Ken.

For those who haven't seen it yet, you should check out PBS' "Frontline" episode called "Breaking the Bank." Here are a couple clips:

The rising star, the smile coach, giving the finger to New York:

After the Merrill Lynch deal:

Further reading: Banking's rule: If you're not an asset, you're go (Charlotte.com/ Tomlinson)

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Exploring the ArtHouse

Posted By on Thu, Oct 1, 2009 at 11:49 AM

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The ArtHouse. Have you heard of it? Not many people, it seems, have. Tucked at the end of a dead-end street just across the railroad tracks on 36th Street, the ArtHouse is part of the NoDa Crawl and one of my favorite galleries.

It offers weekly drawing classes and houses art in various media including textiles, sculpture, photography and paintings in its 12 studios. It has fine art but also supports many lowbrow artists who have been slowly infusing the Charlotte art scene over the years with graffiti, pop, punk, freak and comic-book art.

Every time I go, I look forward to speaking with the artists. I like their passion. And I always learn about some underground event that’s about to take place. In September, I ran into Diangelo Dia Bethune there. Bethune studied art in Greece, Mexico, and Kenya. You may have seen him walking the streets of Charlotte donning a Mexican wrestler mask. This was for his most recent exhibit, Hollywood Africans: A Visual Celebration of the Life and Times of Jean-Michel Basquiat.

Later, while searching for wine in one of the studios, I ran into hip-hop/soul singer Jocelyn Ellis. Ellis is trying to create a movement where artists set no barriers for themselves in terms of genre. She also believes artists should help each other by sharing what they’ve learned. She wants to hold workshops to share her experiences so that other musicians don’t repeat her mistakes.

I got to speak briefly with Antoine Williams and Kali Ferguson as I was walking out of the studio. Williams is co-founder of GodCity, an artist collective started in 2005. His personal style is a mix of street, hip-hop and propaganda art often embedded with political and social messages. Some of his work has been featured on the cover of Creative Loafing and included in the permanent collection of The Mint Museum of Art.

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It Might Get Loud: Stairway to guitar heaven

Posted By on Thu, Oct 1, 2009 at 10:26 AM

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(The documentary It Might Get Loud opens in Charlotte tomorrow. Following is Curt Holman’s review from the Atlanta Creative Loafing.)

Having taken on global warming with Al Gore in the 2006 film An Inconvenient Truth, filmmaker Davis Guggenheim teams with three guitar heroes to support global loudening in his latest documentary.

It Might Get Loud profiles the electric guitar superstars of three generations: Jimmy Page of Led Zeppelin, the Edge (aka David Howell Evans) of U2, and Jack White of the White Stripes and the Raconteurs. Partly, the film depicts the trio’s “summit meeting” — half jam session, half bull session — in a cavernous studio, but mostly It Might Get Loud uses interviews and vintage clips to trace each guitarist’s musical career and six-string aesthetic.

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Opening Friday

Posted By on Thu, Oct 1, 2009 at 9:47 AM

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Big Fan - Patton Oswalt, Kevin Corrigan

Capitalism: A Love Story - Documentary

The Invention of Lying - Ricky Gervais, Jennifer Garner

It Might Get Loud - Documentary

No Impact Man - Documentary

Whip It - Ellen Page, Drew Barrymore

Zombieland - Woody Harrelson, Jesse Eisenberg

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Today's Top 5: Thursday

Posted By on Thu, Oct 1, 2009 at 8:00 AM

Here are the five best events going down in Charlotte and the surrounding area today, Oct. 1, 2009 — as selected by the folks at Creative Loafing.

Project: Homebrew at Neighborhood Theatre

TOP-TH-HERO

Stand-Up Comedy at Cans Bar & Canteen

Big Boys at Actor's Theatre of Charlotte

Drivin' N' Cryin' at Amos' Southend

Artist's Lecture: Danny Lane at Mint Museum of Art

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Wednesday, September 30, 2009

GOP has nerve to blast 'die quickly' comment

Posted By on Wed, Sep 30, 2009 at 5:14 PM

Quick question: where do some Congressional Republicans get their nerve? Specifically, where does North Carolina Congressman Patrick McHenry get his? Yesterday, Rep. Alan Grayson, a Democrat from Florida, said the Republican alternative health care proposals amounted to telling Americans, “Don’t get sick,” and if they do get sick, to “die quickly.” OK, he’s over the line, but considering the incredible number of lies we heard all summer from the GOP about killing granny and death panels and so forth, Grayson’s comments are pretty small potatoes.

But oh, no! The Republicans won’t stand for it! They’re outraged! They’re acting as if Grayson peed on their mamas’ graves or something, and no one is more outraged than good old Patrick McHenry, one of his party’s designated hatchet men, who is demanding that House Speaker Nancy Pelosi officially rebuke Grayson. Others are demanding that Grayson apologize for his lack of decorum (after they defended Rep. Joe Wilson for yelling at the president of the United States, for crying out loud).

As ThinkProgress points out, these guys have more nerve than sense, and they offer a list of outrageous and absurd, death-invoking claims Congressional Republicans have made in Congress about Democrats’ health care reform proposals. Our favorite, of course, is famously wacked-out Rep. Virginia Foxx — part of the N.C. GOP’s Three Congressional Stooges, along with McHenry and Myrick — who claimed Dem proposals would mean people would “be put to death by their government.” Pretty soon, when you look up the word “crybaby” in the dictionary, you’ll see a picture of the GOP elephant symbol.

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Judge Belk, leader of the circus

Posted By on Wed, Sep 30, 2009 at 3:36 PM

Judge Bill Belk ran for the bench because he was disgruntled with the judicial system after a sticky divorce. He even complained on the evening news about how crappy the process is and how it's set up to screw people.

His ultimate response to that perceived wrongdoing was to jump into politics and run against the judge that presided over his case. Ever since, of course, he has been in the news for his willful ways.

And, frankly, that's why this spoiled son of Charlotte is on trial, defending his actions to the N.C. Judicial Standards Committee.

Since he became judge (this past January), he's thumbed his nose at the judicial system repeatedly. Rules? Ethics? Manners? No, thank you. Not for him.

So, it's no surprise that, a day before his trial in Raleigh -- where he's charged with "willful misconduct" -- his attorney has thrown up his hands in frustration.

In entertaining news, Belk says he's now going to represent himself. Since Belk is scheduled to continue his testimony this morning, it remains to be seen who will question the judge or if he'll run back and forth from the floor to the witness stand.

If nothing else, today's performance should certainly top his last appearance where he arrived with a circus of "supporters" -- including his wife, Georgia.

In case all of the drama erased your memory, Belk is in hot water because he refuses to step down from the board of Sonic Automotive and because he's accused of bullying his chief judge, Lisa Bell, who pointed out that Belk may be guilty of soliciting money for his wife Georgia's campaign for Charlotte City Council when he shouldn't have been doing anything of the sort, given his elected office and all.

From MSNBC.com:

"They tried to portray me as someone that had conflicts. They tried to portray me as someone that would be scary. That, to me, is the opposite of who I really am," Belk said.

Meanwhile, Belk's attorney has quit the case, claiming he wasn't paid travel expenses.

Belk's response: "I paid my case in full. In fact, I've already paid twice as much to my attorney as we originally agreed. I have never received an invoice regarding his travel expenses. A lawyer should never do this to a client."

Belk says he will represent himself Wednesday before the Judicial Standards Commission.

From Charlotte.com:

Attorney Marshall Basinger, who represented Belk on the first day of his hearing before the N.C. Judicial Standards Commission, has asked to withdraw.

He says Belk not only hasn't paid him for all his work but hasn't paid the travel expenses that he and three clerks incurred traveling to Raleigh for the start of the hearing three weeks ago.

And in an e-mail to the commission, Basinger described the scene Monday afternoon when Belk arrived at his office just as Basinger prepared to step out to notarize his withdrawal request.

"In the few minutes I was gone," he wrote, "Judge Belk removed our 'box' that contains virtually all of our materials and files used in this hearing and did so without my knowledge nor the consent of anyone in my office."

Belk could not be reached. If he doesn't consent to Basinger's request, there will be a hearing by the Judicial Standards Commission on the lawyer's withdrawal this morning before the start of Belk's own hearing.

"We were told we would be paid and we weren't," Basinger said Tuesday. "To me that was pretty egregious."

In his motion to withdraw, Basinger cited the missed payments as the main reason for his request. But not the only one.

Belk, he wrote, "incredibly listens to the advice of various lay persons he references as 'the girls,' rather than his counsel's advice."

Basinger said it was apparently a reference to a group of Belk's mostly female supporters who accompanied him.

After the Sept. 10 hearing, Belk told the Observer he thought Basinger was "a little too laid back" during the hearing.

Said Basinger: "I better not touch that one."

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