Soul music legend Teddy Pendergrass passed away this week at age 59 leaving behind a great musical legacy. In honor of Teddy P (and no, not the T-Pain, version) here's some of my favorite tracks from the South-Carolina born, Philly-bred star, whose deep voice and sexy ballads surely led to some of my classmates' existence.
Teddy Pendgrass - "Close The Door (Live in 1979)" - It was his first Grammy nomination and easily the song I think of when I think Teddy P. Straight-forward sexuality and a rule I wish everyone followed. If you're going to give her what she's been waiting for man, close the door.
While watching Kobe Bryant get his fourth NBA championship on Sunday, 10 seasons after winning his first, cementing his legacy as one of the best ever and killing all argument of him as a lackluster leader, I couldn't help but think about another 10 year anniversary for the future HOFer.
K.O.B.E. (or "Visions") was set to drop in January of 2000 and now that the whole Shaq-less championship monkey off his back, I figure he could clear up this other unfinished business. The album featured guest appearances from rap heavyweights Nas and Beanie Sigel but it also had not so awesome track featuring Tyra Banks. That not-so awesome song was the lead single and was performed by the duo, along with Kobe jersey clad back-up dancers, at the YouTube legendary All-Star weekend performance.
On the court, he was coming fresh off his first All-NBA defensive team (the youngest to ever do it), first ring and building a more than solid foundation for his career. Off the court, Bean was dropping rhyme ... and terrible ones!
Here's a taste of some of the things the Kobester dropped on that unreleased LP: "What I live for? Basketball, beats and broads" ... fair enough. How about, "think ya eyein' me, all along I'm eyein' you/The hunter becomes the hunted, girl, I'm preying on you" ... a little creepy but still, reasonable.
I don't think it's hyperbole to say, "friends shouldn't let friends listen to shitty music." But it's funny to think about which friends' musical opinions we trust.
No one listens to the girl who says someone's album is good but still has Britney Spears' Circus still getting plays on her iPod. Yet that one friend who put you on an artist you like and didn't gloat, "I put you on that" every time you go to play it, is usually one of your favorites.
It's the friend with good musical taste who you don't mind taking a road trip with, because even if you argue and aren't talking for long stretches of highway, at least the music will be good.
If your birthday is in August or September like mine, you probably realized long ago that chances are you were a product of some Christmas or New Year's lovin' and since we're all fans of music, here are some hits that probably helped get you here.
If you were born in 2000, your 10th birthday is coming up this year. Should be great, right? I'll take a stab at your origin.
Everyone was on a holiday high. Y2K hadn't happened. The world still existed and most importantly, Dad checked his bank account to find the money from his part-time job at Footaction, still there. Everyone was celebrating. Your parents met and shared a laugh at the bar over the audacity of Sisqo's "The Thong Song," had a few more drinks, then hit the dance floor. Mom literally put it on Pops when Ghostface's "Cherchez La Ghost" came on and after a slow, sexy dance to Jagged Edge's "Let's Get Married" (and a few more drinks), let's just say they knew what time it was.
What better way to start a new decade than with Mos Def & Talib Kweli teaming up once again over a Dilla produced beat, off a Grammy-nominated album?
The video for "History" was directed by Coodie and Chike, who also directed Mos Def's "Casa Bey" off The Ecstatic, and gets all film school-y following the BlackStar MC's through NYC and getting all nostalgic flipping through photo albums of their rap careers.
Not quite the reunion we've been begging for but this will tide you over. Dope video.
The Deal: New Orleans duo drops an EP out of nowhere and complaints are scarce.
The Good: The 1st track, "Floozy" is instantly in my daily rotation and the title track "Fuck You" is also a must play. "Pop Cork" is a spacey jam that's light on lyrics but could be fun in the club. "Fruits" is a really chill track but the most introspective.
The Bad: Not a lot of room for error on this 5-track EP, if you had to nitpick, "Watchu Say" sounds like an Outkast "The Whole World" remix but even that's hot to me.
The Verdict: Looking forward to their next album now. The 2008 debut, Remind Me in 3 Days, was a critical success but no one really talked about maybe 2010 will be the year they actually become household names.
Old people are cute, aren't they?
I spent the bulk of the day chauffeuring various family members for their errands and because I was driving, they had to listen to my music, which of course, was rap.
That decision to skip the Steve Harvey & Tom Joyner and play my CDs led to a few interesting conversations.
My uncle, who's older than Kurtis Blow if that helps you paint the picture at all, tried to guess who I was listening to. It was Curren$y, who to my knowledge, hasn't had a song on the radio since "Where The Cash At?" with Lil Wayne back in 2006 but for some reason, he sounded "real familiar" to my mother's brother.
He couldn't come up with where he'd heard his voice but all I could think about was, what spot was his old ass at to hear "Where The Cash At?" and God I hope we don't frequent the same strip clubs!
Oh, 2010! It feels good to be in a new decade and more than anything else I'm happy to be in the midst of this music industry transition.
Artists embracing new media outlets to distribute music is always a good thing for fans and this year you'll see that the FreEP (free EP) will become the "it" thing to do.
Sure, it's essentially a mixtape, but what an EP allows an artist to do is put out a taste of free music that isn't just a freestyle over the hottest instrumental but actually new and original music content.
Since the ball dropped on 2010, a few artists have already kicked out FreEP's.
Mickey Factz, among others, dropped a FreEP, thedarkphoenix: ALPHA, to lead up to his long awaited album. Mixtape fans don't fret, those track-heavy, hour-long, hit-or-miss musical journey's you know and love aren't going anywhere. Just don't be surprised if you start to see five- to eight-song EPs from your favorite artist, instead of the 20+ track monster with remixes of every recognizable beat from the radio.
In the end what would you rather have? The FreEP is the future (well now) and less is more.
Now that Christmas is over and the only holiday still going on was created in the 1960's (sorry Kwanzaa), I'm going to need the world to act like it's not Christmas day anymore.
Turning on the radio after a shitty Christmas Day only to hear more songs about Santa's fat ass jetsetting the world only adds insult to injury when you know he doesn't exist or imagine hearing Donny Hathaway's "This Christmas" after celebrating another "big day" alone, nothing "special" about that.
Think about the kids. If you keep telling them that Santa Claus is coming to town after Christmas day and they're going to expect him to drop by three or four days in a row. That's not fair.
I kind of understand the logic of stores playing holiday music while you take back all those unwanted gifts you got but in that case, why are the Christians the only ones to get in the on the act? I mean, they're my people but I've never heard a Hanukkah or Kwanzza carol, especially in the mall.
Then you have you're perfectly PC holiday season anthems. "White Christmas?" Are you serious? We live in the South (and I'm going to ignore the racial undertones on that song)
My point? They start sooner and sooner with this stuff every year, I was hearing "Jingle Bell Rock" the day after Halloween. Let's just pack up the holiday albums for the year and bring them out on Black Friday 2010.
You know it's a slow weekend when the movie Airheads comes on HBO and you actually sit through the entire thing.
What's fascinating about watching this flick, which came out in the mid-'90s, in 2009 is the fact it's so dated that it could never be made again.
Just think about how much the music industry has changed since then.
Artists aren't dying to have their music played on their local stations anymore, if anything they want to distance themselves from how mainstream and generally whack those stations are.
Pushing cassettes directly to music executives or program directors? Sneaking into a station to try and get your demo in their hands?