Meat Puppets w/ Dexateens and Babyshaker
Visulite Theatre
Dec. 1, 2009
The Deal: Latest lineup of the Kirkwood brothers rips through hour-and-a-half set in front of small Charlotte crowd.
Roger Daltrey w/ Paper Zoo
The Fillmore Charlotte
Nov. 22, 2009
The Deal: The Who's frontman hits The Fillmore for two hours of music Who songs and a couple of covers.
Neko Case w/ Deer Tick
Knight Theater
Nov. 18, 2009
The Deal: Neko Case zips through 22 songs during Charlotte concert, brings along Deer Tick.
Wolfmother w/ Heartless Bastards, Thenewno2
The Fillmore Charlotte
Nov. 3, 2009
The Deal: Reformed Aussie band hits The Fillmore for hard-rockin' set, bringing along Heartless Bastards and Thenewno2.
The third and final day of Voodoo Festival got under way with blue skies and perfect temperatures hovering around 70 degrees. A few people were still wandering around in Halloween costumes, but most had returned from their post-zombie ways.
I made it to the festival grounds just in time to see The Pogues start their brand of Irish rock. Singer Shane MacGowan, in all of his toothless glory, slurred and stumbled his way through the set. Rumors of band infighting went unfounded some people said there as a bandmate, Spider Stacy, who was escorted or left the stage, but all members could be see on stage at the end of their set.
While Shooter Jennings was on one of the side stages, the Fleur de Tease burlesque show got underway in the Bingol Parlor. Kind of like Big Mama Ds brand of entertainment in Charlotte, the ladies showed off their bodies with class and decorum.
If there was one can't-miss day at this year's Voodoo Festival, Saturday was it. I walked into City Park around 2 p.m. to catch the end of Dan Dyer's set on the Voodoo Stage and things got progressively better for the rest of the day.
Mates of State were on the PlayStation Stage dressed like The Captain and Tennille, after all, it was Halloween.
All kinds of people were in costumes - from the sexy to the sublime. Couch potatoes, Waldo, hot dogs, the blockheads from Gumby and plenty of zombies. There was an effort at the end of the night to set a record for the largest gathering of zombies.
Next up on the Voodoo Stage was MuteMath, who played a good mixture of their two albums. Drummer Darren King walked out on stage for his regular ritual of duct taping his headphones on.
The 2009 Voodoo Experience kicked off in New Orleans on Friday, and what started out as a hot and sweaty day quickly cooled off in temperature and heated up sonically.
Thanks to far walks, slow transportation and the help of a man in a golf cart, I finally got checked in around 3 p.m. and made my way out into the festival grounds at City Park.
It's definitely a different setting, yet similar setup when compared to Bonnaroo. There are two main stages that are on opposite sides of a track. A few smaller stages are set out among the trees and pathways. Odd sculptures dot the landscape.
I caught a snippet of the set by The Vettes - rock fronted by a female, that sounded pretty good from a distance. Next up, across the way, was The Cool Kids who hinted at the hip-hop that was yet to come that night.
Jewel w/ Meiko
The Knight Theater
Oct. 28, 2009
The Deal: Folker gone country artist Jewel brings along new sensation Meiko for acoustic/vocal showcase.
The Mars Volta
Oct. 22, 2009
The Fillmore
The Deal: Progressive rockers perform energetic hour-and-45-minute set for a crowd of roughly 700.
The Good: The band hit the stage and opened with "Inertiatic" and what seemed to be one never-ending song for nearly two hours after that. The music was fast, furious and non-stop for the duration as guitarist Omar Rodríguez-López picked, strummed and riffed his ass off.
Singer Cedric Bixler-Zavala hit every note and danced his ass off kicking the microphone around, flipping the stand in the air, giving James Brown's footwork a run for its money and simply being one of the most entertaining frontmen in music these days.
The band seemed to hit its peak with the mellow "The Widow" toward the end of its set, as most in the crowd sang along. Bixler-Zavala only addressed the crowd once, mentioning the band's origins in At the Drive-In. "A lot of people weren't happy when we started this band," he told the crowd. "But life is about creating visions between the faithful and the morons."
The Bad: The small crowd. Though I might blame some of that on a strict photo policy that makes it difficult to show people what they're missing.
The Verdict: A visual and sonic experience that's hard to describe, and a definite "must see."
Setlist
Inertiatic
Goliath
Cotopaxi
Roulette
Viscera
Halo
Eunuchs
Ilvana
Teflon
Drunkship
Luciforms
The Widow
Wax Simulacra
Social Distortion
Amos' Southend
Oct. 21, 2009
The Deal: So Cal rockers make long-awaited return to the Carolinas.
The Good: Mike Ness and the boys hit the stage and opened up with "The Creeps" and never really let up from there. The nearly-packed venue was a mass of hands in the air, moshing, crowd surfing and singing along for the hour-and-a-half duration of the set.
Ness told the crowd at one point that he almost canceled the show recently. "I've been so sick recently I was this close to canceling. But it's better to have a sick bear than no bear at all." The band rifled through a number of early hits including "Sick Boy," "Mommie's Little Monster," "Bad Luck" and their cover the Johnny Cash classic, "Ring of Fire."
"Highway 101" and "Prison Bound" appeared on the setlist but were passed over... the latter was replaced by "99 to Life" during the encore. The encore also included a song I wasn't familiar with that included lyrics from a variety of oldies starting off with "I don't know what I've been told" and including a verse from Chuck Berry's "Reelin' and a Rockin'."
Halfway through the set, Ness was enjoying the energy from the crowd and suggested that everyone in attendance take the next day off. "Who decided we should work five days and only get two off? That doesn't make sense," he told the crowd.
Of course they wrapped it all up with a massive sing-along to "Story of My Life." Ness told the crowd, "We've been doing this for 30 years and it's for two reasons. One - we're stubborn motherfuckers. Two - we love what we do."
The Bad: Amos' lighting. Sure, maybe I've been spoiled by the fantastic lighting at The Fillmore, but rumor has it that even the bands think it sucks at Amos'. If band members walk to the front of the stage, they're in the shadows. Hell, if they walk out from center stage, they're in the shadows. For all these big name bands, people want to see them. Dark works at Snug Harbor and the Milestone people expect more at bigger venues.
The Verdict: Ness was clearly impressed by the turnout of fans at the show. "It's been a long time since we went to the Carolinas, but you can bet I'm
Setlist
Creeps
Another State of Mind
Mommie's Little Monster
Sick Boy
Don't Let Me Down
Ring of Fire
Bad Luck
Reach for the Sky
Can't Take It With You
Ball and Chain
Bakersfield
Nickles and Dimes
Sometimes I Do
Encore
Making Believe
99 to Life
Still Alive
? (Classic rock medley?)
Story of My Life