Argo - Ben Affleck, John Goodman
Here Comes the Boom - Kevin James, Salma Hayek
Seven Psychopaths - Colin Farrell, Christopher Walken
Sinister - Ethan Hawke, Vincent D'Onofrio
Here are the five best events going down in Charlotte and the surrounding area today, Oct. 11, 2012 as selected by the folks at Creative Loafing.
* Opus at Duke Energy Theatre
* October Screams at Carolina Cinemas Crownpoint Stadium 12
* Bonnie Raitt at Ovens Auditorium
* The Maverick Madness Ride to The Haunted Mill
* Strokes of Compassion Art Show at Providence Plaza
Creative Loafing film critic Matt Brunson and Dr. Mark Pizzato of UNC Charlotte will discuss ghosts in cinema on the Thursday, Oct. 11, edition of Charlotte Talks, with Mike Collins, at 9 a.m. on WFAE 90.7 (the show will be rebroadcast at 9 p.m.). Among the titles that might be discussed are The Haunting, The Innocents and The Others (pictured).
Dr. Pizzato is Professor of Theatre and Film at UNC Charlotte and the author of Ghosts of Theatre and Cinema in the Brain (2006) and Inner Theatres of Good and Evil: The Mind’s Staging of Gods, Angels and Devils (2010). He is presently involved with Spirits Rise: A Ghost Film Series, a free screening-and-discussion program running through Nov. 17. (Go here or here for more info.)
For recommendations of ghost flicks and other terror tales appropriate for Halloween, be sure to check out CL's ongoing, online-only series Halloween Countdown.
(In anticipation of the coolest day of the year, this month-long series will offer one recommended horror flick a day up through Oct. 31.)
HOUSE OF WAX (1953). Far too many 3-D movies have relied on the novelty of the gimmick to cover up what would otherwise be a completely disposable motion picture, but what's unique about this box office smash (it was one of 1953’s top 10 grossers) — and the reason it has endured as one of the most popular of all older films originally shot in this format — is that on its own two-dimensional terms, it's a heckuva lot of fun. Vincent Price came into his own as a horror icon, portraying a sculptor whose latest creations seem remarkably lifelike, and there's an early appearance by Charles Bronson (still billed as Charles Buchinsky) as his mute assistant. For the record, the DVD released a few years ago by Warner Bros. doesn’t include the 3-D version (too bad; love that paddleball man!), but it does contain the first screen telling of this story: 1933's Mystery of the Wax Museum, directed by Casablanca's Michael Curtiz and starring King Kong scream queen Fay Wray. And you really don’t need me to tell you to stay away from the atrocious 2005 version featuring Paris Hilton, do you? Didn’t think so.
Here are the five best events going down in Charlotte and the surrounding area today, Oct. 10, 2012 as selected by the folks at Creative Loafing.
* Opening reception for Sandra Muss: What's Past is Prologue exhibit at New Gallery of Modern Art
* Get to Know the Show: Jekyll & Hyde at Booth Playhouse
* Open Mic at Kickstand
* Robot Johnson at Wine Up
* How I Learned to Drive at UNC Charlotte
Listed below is a roundup of CL's top picks for comedy shows in Charlotte this week. Hopefully, they keep you entertained and, more importantly, laughing out loud.
(In anticipation of the coolest day of the year, this month-long series will offer one recommended horror flick a day up through Oct. 31.)
WILLARD (2003). For all its ickiness, Willard is actually that most exotic of movie creatures: a remake that handily bests the original. The 1971 version may have been a box office hit, but it's also an inert motion picture, taking itself far too seriously as it relates the supposedly poignant tale of a lonely young man (Bruce Davison) whose only friends are the rats that live in his basement. This stylish remake tosses out all pretensions and tackles the material as a pitch-black comedy, which, in retrospect, was clearly the only way to go. As before, Willard Stiles (a perfectly cast Crispin Glover, in a part turned down by both Joaquin Phoenix and Macaulay Culkin) is a mild-mannered introvert whose relationship with his rodents offers him a brief respite from the unpleasantries that otherwise inundate his existence. This was (not surprisingly) a major commercial flop, but darn if it doesn't deliver the goods for folks not averse to an unsettling satire that offers as many nyuks as yuks. And for those interested, here’s the surreal music video for Glover’s “Ben,” complete with buxom women rubbing rats all over their bodies.
You may not remember Stella Liebeck’s name, but you surely haven’t forgotten the lawsuit she launched against McDonald’s after spilling hot coffee on herself and suffering second and third degree burns. The infamous case — resulting in a jury awarding her $2.86 million in punitive damages (later reduced to $800,000 and settled out of court) — stirred controversy and raised serious questions, if not anger, about America’s civil justice system.
In Susan Saladoff’s HBO documentary Hot Coffee, you’ll learn the facts (not just the myths) about the case, as taken from a supportive stance toward Liebeck. Saladoff, a first-time filmmaker with a background as a representative of plaintiffs in personal injury and liability type cases, shares critical points in regards to tort reform (championed by corporate pigs like Karl Rove and George W. Bush) and the fight against “frivolous” lawsuits that have caused damage award caps and mandatory restrictions on what plaintiffs walk away with.
Saladoff presents other lesser-heard-of cases that are emotionally gripping. In the film, we see victims, not money hungry folks who are pushing bogus suing stunts. She doesn’t touch as much on the opposite end of the spectrum — folks who do abuse the system as well as the rights and protections that companies are entitled to for survival. In any case, the documentary offers a compelling viewpoint on one side of the heated grounds of the justice system, liability and civil liberties in our country.
To check it out, visit EpiCentre Theaters for a free screening and meet-and-greet with the director tomorrow. Free admission. Oct. 10, 7 p.m.-9 p.m. EpiCentre Theaters, 210 E. Trade St. 704-688-2400. www.epicentretheaters.com.
Here are the five best events going down in Charlotte and the surrounding area today, Oct. 9, 2012 as selected by the folks at Creative Loafing.
* Giacometti: Memory and Presence at Bechtler Museum of Modern Art
* The Birth of Coffee exhibit at Discovery Place
* Nick Lowe at McGlohon Theatre
* Open Mic Poetry at Wine Up
* Many Backgrounds, One American Spirit exhibit at Pura Vida Worldly Art
(In anticipation of the coolest day of the year, this month-long series will offer one recommended horror flick a day up through Oct. 31.)
PIRANHA (1978). The years following the gargantuan success of 1975's Jaws found studios releasing an endless stream of copycat flicks of the "When Nature Strikes!" variety — ripoffs included Grizzly (dubbed Claws by industry wags) and the X-rated spoof Gums — but it's generally agreed that producer Roger Corman’s Piranha remains the best of the bunch; even Jaws director Steven Spielberg counts himself among the film's fans. The first screenwriting credit for future Oscar nominee John Sayles (Lone Star) as well as an early assignment for director Joe Dante (The Howling, Gremlins), Piranha sports a sense of humor to go along with the grisly critter attacks, as a boozy woodsman (Bradford Dillman) and a private investigator (Heather Menzies) stumble across a crazed scientist (Kevin McCarthy) who's experimenting on a pool full of mutated piranha; along the way, the couple accidentally release the ferocious fish into a nearby river. This was remade in 2010; other variances in recent times include Piranha 3DD, MegaPiranha, Piranhaconda and Piranha-Man Vs. WereWolf-Man: Howl of the Piranha. Trivia note: The in-name-only sequel, 1981's poorly received Piranha Part Two: The Spawning, marked the directorial debut of no less than James Cameron.