Here are the five best events going down in Charlotte and the surrounding area today, June 17, 2015 as selected by the folks at Creative Loafing.
• Hozier at Uptown Amphitheatre
• Jeff Ross at Amos' Southend
• Trivia at Ed's Tavern
• Hurray for the Riff Raff, Clear Plastic Masks at Visulite Theatre
• Almost Famous Comedy Show at The Comedy Zone
Here are the five best events going down in Charlotte and the surrounding area today, June 16, 2015 as selected by the folks at Creative Loafing.
• Dirty Dancing at Belk Theater
• Contempt screening at Bechtler Museum of Modern Art
• Comedy Open Mic at Jackalope Jacks
• Charlotte Knights vs. Pawtucket Red Sox at BB&T Ballpark
• Broken Mic Night at Petra's Piano Bar & Cabaret
Here are the five best events going down in Charlotte and the surrounding area today, June 15, 2015 as selected by the folks at Creative Loafing.
• Gogol Bordello w/ Flogging Molly, Mariachi El Bronx at Uptown Amphitheater
• I Am A Knife With Legs at Actor's Theatre of Charlotte
• Find Your Muse Open Mic f. Sarah Tucker at Evening Muse
• Bingo at Big Al's
• Knocturnal at Snug Harbor
Here are the five best events going down in Charlotte and the surrounding area today, June 14, 2015 as selected by the folks at Creative Loafing.
• Charlotte Symphony's Summer Pops at Symphony Park
• The Wizard of Oz at Matthews Playhouse
• David Childers, The Loudermilks, Slim Pickens at Snug Harbor
• Drag Brunch at Sweet Meadow Cafe
• Funny On The Fly at The Comedy Zone
Here are the five best events going down in Charlotte and the surrounding area today, June 13, 2015 as selected by the folks at Creative Loafing.
• Lana Del Rey with Grimes (pictured) at PNC Music Pavilion
• Brew Stash Bash at U.S. National Whitewater Center
• Purgatory at Amos' Southend
• The Hound of Baskervilles at ImaginOn's Wells Fargo Playhouse
• The Chuckleheads at Warehouse Performing Arts Center
Before the curtain rose for CPCC Summer Theatre’s opening night - and its 42nd season - artistic director Tom Hollis observed a protracted moment of silence from the Halton Theater stage for sound designer Jeff Murdock, who died suddenly earlier this spring.
Frequently plagued with thumping noises, sudden squeals, and awkward sonic dropouts ever since the Halton opened nearly 10 years ago, the sound system was incorrigible last Friday during performances of Oliver!. Sound designer Kenny Shouse, presumably manning the soundboard as Murdock had done before him, seemed to have all his lines potted to prudent levels. I’m not sure I heard a single one of those unnerving squeals all evening. But there were more abysmal dropouts than I can ever recall at CPCC, and those prudent levels usually meant that our soloists couldn’t be heard when musical director Drina Keen summoned fortissimos from the orchestra pit.
Hollis could not be faulted if he felt that the splendid work by Keen, choreographer Ron Chisholm, set and lighting designer Gary Sivak, and costume designer Jamey Varnadore was heartbreakingly defaced by the wayward sound. I felt more sympathy for Hollis, for in assembling this Oliver! design team and cast, then coordinating them so well — including nearly two dozen children. Hollis was as masterful as he’s ever been in his 32 years at CPCC.
(Ratings are on a four-star scale.)
Jurassic Park - 1993 was an exceptional year for Steven Spielberg, scoring critical and commercial kudos with both his summer blockbuster Jurassic Park and his year-end awards contender Schindler's List. The hype surrounding the dinosaur film was deafening, and yet the movie largely managed to meet expectations. Based on Michael Crichton's bestseller, it centers on the efforts of various characters — including scientists charismatically played by Sam Neill, Laura Dern and Jeff Goldblum — to escape from a theme-park island that's crawling with genetically recreated dinosaurs. Spielberg treats us much as he does his characters, leading us into a strange land and then expecting us to make it out with all our faculties intact; it's a tall order, given the heart-stopping, blood-curdling, limbs-numbing excitement packed into the second hour. The effects work is astonishing — then again, when the team members' past credits had included the likes of Aliens, Terminator 2: Judgment Day and the original Star Wars trilogy, that was to be expected. While Schindler's List was sweeping most of the major Oscars, Jurassic Park went 3-for-3 in its technical bids, winning for Best Visual Effects, Best Sound and Best Sound Effects Editing. Even more impressive was its phenomenal box office: At close to a billion dollars internationally, it still ranks among the all-time Top 20 grossers. ***1/2
The Lost World: Jurassic Park - You didn't have to be a rocket scientist — or even a paleontologist — to know that Jurassic Park's 1997 sequel would similarly rake in tons of dough, regardless of the quality of the picture. That was doubtless a relief to studio suits, considering that this is arguably Spielberg's most impersonal movie to date, failing to retain its predecessor's sense of mystery and majesty. It's entertainment on autopilot, with the dinosaur basically reinvented as a slasher-flick stalker. Goldblum returns from the first film, but his character has been transformed from an eccentric sidekick into a listless action hero; new co-stars Julianne Moore and Vince Vaughn fare even worse. The effects are about as impressive as those in the original Jurassic Park; unfortunately, it's the movie surrounding them that remains hopelessly mechanical. **
Jurassic Park III - Spielberg served only as executive producer on this 2001 effort, handing directing duties over to Joe Johnston (Captain America: The First Avenger). Screenplay duties were assigned to Alexander Payne and Jim Taylor, the team that would later win Oscars for penning Sideways, and William H. Macy joined a cast that included Neill and Dern, both returning from the first picture. Yet despite all this talent to burn, JPIII still turned out to be even worse than the second installment. There's one exciting sequence involving Pteranodons, but the rest is clumsy, uninvolving and often laughable — the scene in which Neill's character learns to speak "Velociraptor" and orders these vicious creatures to go away is particularly risible. In short, this is Hollywood's version of a red-light district, with lots of talented people selling themselves for quick cash. *1/2