Thursday, February 23, 2012

Brody & Choch with Shinobi Ninja at Neighborhood Theatre tonight (2/23/12)

Posted By on Thu, Feb 23, 2012 at 8:32 AM

BRODY & CHOCH/SHINOBI NINJA Charismatic Carolina boys Brody & Choch are hyped as the second coming of DJ Jazzy Jeff & Fresh Prince. Though their easy charm recalls the days of “Blackenstein” fades and Kid ‘n Play, B&C aren’t ready for the rap nostalgia circuit yet. Throwing down startling and unexpected rhymes over sophisticated, loungey beats, Brody & Choch hew surprisingly close to the intelligent and socially aware tradition of alt hip-hop titans A Tribe Called Quest. “Brooklyn to Babylon,” a cut from Shinobi Ninja’s Attacks EP, is a pretty good signifier of what you get — particularly if you add “boy band” to the mix. Heavy thrash, retro scratching and competent rapping overlays high-energy blue-eyed pop rock with sticky sweet choruses. A bit of bludgeoning Bad Brains reggae and early Beasties brattiness add to an addictive concoction that’s more The Archies than Atari Teenage Riot. Sure, it’s sugary and squeaky clean, but Shinobi Ninja get props for pushing the party band envelope. With Soul Khan, Mr. Invisible and D&D Sluggers. $7-$10. Neighborhood Theatre.

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Ghost Wolves at Evening Muse tonight (2/23/12)

Posted By on Thu, Feb 23, 2012 at 8:09 AM

The Ghost Wolves Think of them as an inverted Texas-based hybrid of The White Stripes. This duo — female singer/guitarist and male drummer — provides raw, energetic rock that sounds more like it came from the Voodoo-soaked streets of New Orleans or back alleys of New York City than the farmlands of Texas. Punk sensibility, blues style, crashing drums, scattershot harmonies and moments of folk simplicity define the band’s six-song EP, In Ya Neck!. $10. 10:30 p.m. The Evening Muse.


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Wednesday, February 22, 2012

Live review: Hectagons w/ Trioscapes

Posted By on Wed, Feb 22, 2012 at 4:13 PM

Hectagons
The Milestone
Feb. 18, 2012

Incorporating Between the Buried and Me's Dan Briggs into an experimental, progressive three-piece which combines sax, bass and drums, the anticipation for Trioscapes swept the Milestone on Feb. 18. When a side-project that intriguing, one might expect the band to dominate a show. Little did concert attendees know that Hectagons was en route to rage and would cap the night off with a tight set leaving witnesses in awe.

Following headliner Trioscapes, Hectagons had huge shoes to fill, but there was no hesitation in living up to the challenge. Quizzical looks appeared while each person in the crowd attempted to take in the meticulousness of the Charlotte band's upbeat, melodic instrumentals. Hectagons inspires nodding heads and rocking hips as the crowd takes in the music's psychedelic overtones of instrumental progression and indefinite passion.

From their beginnings in 2008 as a three-piece progressive, psychedelic-metal group, Hectagons have entranced their audiences, leaving people amazed. Over the past couple of years, through their constantly progressing techniques and incorporation of Justin Aswell on his Mashine, they have allowed the group to expand experimentally and through the addition of live electronic beat production.

As guitarist Buck Boswell grits his teeth, smiling in a sinister manner of release, he slays his guitar using a handful of delay pedals, leading the melodies as his hair flies behind him and flops in front of his face like a rabid cowardly lion. Beside him, Aswell massacres his Mashine, keeping the beat catchy and complex in order to meld with Rick Culp's intricate drumming. Korey Dudley is a beast in his own right, holding down the funky bass lines on his stand-up, jamming like a heavy jazz band with a stature to match the overly dominant instrument's presence.

Although Hectagons shined the brightest in their hometown, that's not to say Trioscapes wasn't of equal talent and originality. They, too, were amazing — a three piece of progressive jazz metal that entertained a large and enthusiastic crowd with heavy-hitting drums, screeching, melodic saxophone and funk-infused electric bass. They played a set that ended far too soon, at the height of everyone rocking out to the saxophone-infused jazz metal. However, at the end of the night it was Hectagons' show and their well-rounded sound which is as complex and solid as ever.

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Natalie Royal hits Kickstarter goal in 24 hours

Posted By on Wed, Feb 22, 2012 at 3:53 PM

Charlotte native and current Belmont University attendee Natalie Royal posted a Kickstarter campaign on Feb. 20 in an effort to help fund her first full-length album. In roughly 24 hours, supporters helped her surpass the goal. Now, roughly 48 hours later, she's raised even more.

With an initial goal of $3,500, Royal's current campaign is at $5,935... and she still has 38 days to go. Royal posted on her Facebook page, "I. am. floored. ... Thank you so so much. I am incredibly blessed."

Kickstarter is a funding platform for creative projects. Project creators offer "rewards" to supporters — in Royal's case, there are thank you notes, personalized songs, signed albums and even baked goods.

Perhaps it was her cute and crafty video that helped earn the support, but it's more likely her talent as a songwriter which has improved significantly in the last few years. Here's the campaign video that is included on her Kickstarter page:

Royal's next scheduled appearance in Charlotte is for part of my (full disclosure) Off the Record series at the Evening Muse during FemmeFest on May 16.

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Thorlock and Bitter Resolve at Milestone tonight (2/22/12)

Posted By on Wed, Feb 22, 2012 at 12:29 PM

THORLOCK, BITTER RESOLVE Ah, hell: it’s BYOBL (bring your own black light) night at the Milestone again. Missouri’s Thorlock and Chapel Hill’s Bitter Resolve exist along the same continuum of heavy-lidded, ’70s-referencing riff-metal. Thorlock’s swinging rural sludge verges on boogie at times while noisy guitars growl and wallow in their own feedback. Bitter Resolve crunches along like a tank in low gear, its protometal riffing driven by powerful, asymmetrical drum lines. Yet don’t let the shared aesthetic fool you: Both bands chart distinct courses through the stoner metal landscape. $6-$9. The Milestone.


Jimkata plays Double Door Inn tonight (2/22/12)

Posted By on Wed, Feb 22, 2012 at 12:26 PM

JIMKATA There are some songs that confound, starting off disjointed, losing their way around the bend, seeking convergence. But most tracks have a spacey groove that gets in your head. It takes awhile to latch onto what they’re doing, but the Electro-rock band from Ithaca parlays seemingly disheveled beats and riffs into floating jams. A bit funky with a sunny disposition, the combo merges sounds into dance-inducing songs, kicking into the higher gear of rock when needed. $10-$12. Double Door Inn.


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Tuesday, February 21, 2012

Aretha pays tribute to Whitney in Charlotte performance

Posted By on Tue, Feb 21, 2012 at 4:52 PM

The Queen of Soul Aretha Franklin paid tribute to her goddaughter Whitney Houston during a private concert at Charlotte's McGlohon Theatre on Feb. 13, 2012. Franklin, who appeared as a part of the Music with Friends series, performed here just two days after the death of Houston, who was found unconscious in a hotel bathtub. The cause of death is still pending a toxicology report.

During the show, Franklin sang "I Will Always Love You."

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New releases (2/21/2012)

Posted By on Tue, Feb 21, 2012 at 10:33 AM

Here's a quick rundown of what's new in stores this week:

Archers of Loaf Vee Vee — Settle down. It's just a reissue.

Buckethead Electric Sea — Because Buckethead has a better ring to it than Brian Carroll, and dude actually wears a bucket... wait for it... on his head.

Fun. Some Nights — It's that new Fun album. Have you heard that Fun song? Want to go to that Fun concert? The possibilities are endless...

Galactic Electric Carnivale — Latest effort is inspired by the sounds of Carnivale — appropriate for Fat Tuesday, no?

Sinead O'Connor How About I Be Me (and You Be You)? — I'm guessing there won't be songs about wedded bliss on here...

Sleigh Bells Reign of Terror — Fresh off their Saturday Night Live appearance.

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Fiddler Joe Thompson dies at age 93

Posted By on Tue, Feb 21, 2012 at 10:01 AM

Thompson.jpg

Fiddler Joe Thompson died at the age of 93 on Monday night. Thompson, who lived in Mebane, N.C., was one of the few remaining traditional black fiddlers in the country. He received the National Endowment for the Arts Heritage Fellowship in 2007.

A nationally known folk musician, Thompson was a strong inspiration and mentor for the Carolina Chocolate Drops. The group regularly met with Thompson to learn traditional songs and practice. They all recorded an album, Joe Thompson and the Carolina Chocolate Drops, which was released in 2009.

Chocolate Drops member Dom Flemmons posted on Facebook:

I just got the news that Joe Thompson passed away today! Its a sad day to see him go but fortunately he was able to see his music reach a larger audience as well as receive a National Heritage Fellowship. We'll miss him!

Here's a video of the Chocolate Drops and Thompson performing together in 2007:

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Ceschi Ramos plays The Milestone (2/21/12)

Posted By on Tue, Feb 21, 2012 at 8:07 AM

CESCHI So, it’s a concept album with a name that sounds like a punchline (The One Man Band Broke Up) but it’s really about the cold, lonely inevitability of death (oh, and there’s some suicide too). So, the medium is rapid-fire, emotionally-loaded hip-hop with the black-hoodied grit of road-hardened post-punk and the heartsick romanticism of John Frusciante’s solo records. So, Ceschi Ramos named his record label after his four-fingered right hand. So, all this shit is true. So, it works so well. So, you can catch it at the Milestone. So, why aren’t you there already? $6-$9. The Milestone.

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