Cage the Elephant
The Fillmore
June 19, 2014
Even after the final distorted notes rang out and cymbals finished crashing, Shultz continued the chorus as the crowd filed out of the steamy venue. Cruising through 15 songs in just over an hour is a quick pace, but Cage the Elephant never ceases to amaze and puts its stamp on music as one of the best live acts around.
While there were times last year when Cage, who opened up for Muse, got swallowed up by the cavernous Time Warner Cable Arena, this time around, the Kentucky rockers looked right at home in the smaller setting. The band was within arm's reach of the sweaty throngs of fans singing along to every word.
John Butler Trio
The Fillmore
June 15, 2014
"I call them frackheads because they're just like crackheads," he told the crowd. "They're addicted to oil. You can't trust them, because they'll rip you off, and the only way they'll get better is if we all sit their asses down and have an intervention." Butler's heartfelt activism drew a healthy round of cheers and applause, but it was dwarfed by the crowd's wildly enthusiastic response to the John Butler Trio's shit-hot playing and stellar songcraft.
No worries, as the Aussies often say. Though one-time-busker Butler's grounded and genuine populism is part of his appeal, the good-sized crowd that filled more than two-thirds of the Fillmore was there to boogie, sway and be entranced. Butler and his band mates - drummer Grant Gerathy and bassist Byron Luiters - didn't disappoint. The groove was in the pocket, and the audience was in the palm of Butler's hand.
Elton John
PNC Music Pavilion
June 14, 2014
Wearing a blue, sequined jacket emblazoned with red, yellow and silver streaks and the words "Rocket Man" across the back, 67-year-old Elton John strode toward his piano, waving briefly. During the first song "Funeral for a Friend/Love Lies Bleeding," he often looked at the crowd and smiled. But it wasn't until the song's conclusion that John stood up, pumped his fists and summoned for massive applause. It was an act he'd do throughout the night, perhaps even a bit too much - though, you can't blame a guy who performs seated for getting up to move a bit as often as he can. And those brief glances at the audience are needed from a pianist who shows his side profile for much of the night.
Editor's Note: First Notes is a weekly update of recent happenings in the world of music.
* "American Top 40" host Casey Kasem died at age 82 of complications from dementia on Sunday.
* NPR is streaming the new Phish album, Fuego.
Deniro Farrar, Well$
Tremont Music Hall
June 13, 2014
Deniro Farrar walked onto the Tremont Music Hall stage while taking off his shirt to reveal a chest full of tattoos and a better view of the braids flopping over his head. The rapper, like a number of other acts throughout the night, calls Charlotte his home and constantly reminded the crowd of this fact. But the need for such proclamations seemed odd, if this is truly one's "hometown."
The crowd ebbed-and-flowed with each new rapper who walked into the spotlight as people would embrace the new performer or fall back from the stage.
A few weeks ago, Deniro released his first major label album, Rebirth, which is filled with harsh reality raps that detail the issues of his day-to-day life in strikingly real ways. He peppered those tracks among his set along with higher tempo songs, like last year's "Big Tookie" that received a rapturous response.
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