Friday, May 25, 2012

Will Leviathan violinist assert herself?

Posted By on Fri, May 25, 2012 at 10:44 AM

Over the past three years, we've seen violinist Livia Sohn perform each season during the lunchtime Bank of America Chamber Music series at Spoleto Festival USA in Charleston, S.C. Most notably, Sohn played the Kreutzer Sonata, one of Beethoven's supreme masterworks, during the final weekend last year, signaling she was ready to become more prominent in the constellation of instrumental stars who play at the Dock Street Theatre.

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This spring, she returns to Spoleto on the heels of her first CD as a member of Trio Latitude 41, releasing Schubert's Piano Trio #2 and Notturno on the Eloquentia label. After receiving the new CD, I sent word back through the label's publicity agent that Sohn needs to know that her name means Leviathan in Hebrew - so I expect her to become more assertive the next time she performs at Spoleto, held in Charleston, S.C., between May 25 and June 10, 2012.

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Hrvrd at Neighborhood Theatre tonight (5/25/2012)

Posted By on Fri, May 25, 2012 at 9:00 AM

HRVRD What started as a post-rock outfit has matured into an atmospheric amalgam of experimental art and music. Having recently signed to Equal Vision Records and dropped the vowels in the previous Harvard band name, this Charlotte quintet doesn't have a weak link in the mix. Instead of sounding cluttered, the band's songs are calculated, orchestrated and downright stunning in aural presentation. $8. Neighborhood Theatre.

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Snug 600 at Snug Harbor Tonight (5/25/2012)

Posted By on Fri, May 25, 2012 at 8:37 AM

SNUG 600 Now five years in, this rock 'n' roll Memorial Day celebration promises 16 bands over a full weekend. Temperance League's big, Springsteenian heartland rock headlines a Friday largely populated by overdriven Americana. Especially digworthy is Hungry Girl's reckless garage-R&B. Saturday's a bit punkier - with highlights like the blindingly positive, yet still street-smart One Another. Sunday opens with a rootsy feel, with history buffs Overmountain Men playing early, and culminates in Scowl Brow's country-educated, emotionally-devastated punk. $6. Snug Harbor.

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Thursday, May 24, 2012

Inaugural Gnarnia music festival announced

Posted By on Thu, May 24, 2012 at 2:22 PM

Here's another summer music festival for your calendar - and this time, it's homegrown. The inaugural Gnarnia music festival will take place at the Beech Mountain Resort near Boone on August 9-11.

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The festival is the project of Asheville performance artist Bowie Van Ling and promises a roster full of electronic music as well as music from genres as disparate as jazz, folk, New Orleans funk, world music, reggae, classical and bluegrass. Charlotte's own DJ Mindexilir will make an appearance, as well as acts like electronic world music fusion group Beats Antique, "Because I Got High" rapper Afroman, former Grateful Dead drummer Bill Kreutzmann's band 7 Walkers, drum-and-bass artist Dieselboy, and Phadroid, an act that blends electronic music and digital art projection.

Gnarnia also offers alternative performances like immersive theater, cirque performers, aerialists, bhangra dancers, stilt walkers, fire dancers, poets, fashion designers, b-boy battles, mud wrestling tournaments and bicycle jousting. There will also be more health-conscious opportunities like guided movement, yoga, meditation and massage along with instructional workshops on activities from urban farming to performance techniques.

The festival follows in the footsteps of an ever-growing number of North Carolina music festivals like MOOGFest, Hopscotch and Bele Chere - although this is certainly the first one where you can both bicycle joust and listen to electronic world music fusion. To take a look at the full lineup and get more information, go to www.gnarniathefestival.com.

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Giant Squid at the Evening Muse Tonight (5/24/2012)

Posted By on Thu, May 24, 2012 at 8:17 AM

GIANT SQUID Leave it to a band that's resided in forward-thinking havens like Sacramento and Austin to come up with "progressive, doomy, aquatic metal" and actually make it sound good. Favoring cello, trumpet and ethereal female vocals alongside metal's traditional chugging guitar and demon roars, Giant Squid's often marine-themed compositions have won the band enthusiastic critical acclaim and fans both in and outside the metal community worldwide. $6. Evening Muse.

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Monday, May 21, 2012

Bee Gees' Robin Gibb dies at 62

Posted By on Mon, May 21, 2012 at 9:37 AM

Robin Gibb, one of three brothers who formed the Bee Gees, died on Sunday at 62 after a battle with colorectal cancer. He is the second Bee Gee (and third musical Gibb brother) to die. Solo pop singer Andy Gibb died in 1988 from inflammation of the heart; Bee Gee Maurice died from a heart attack in 2003. The sole surviving Gibb now is eldest brother Barry, who is 65.

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Robin, Barry and Maurice Gibb had two periods of pop-music success, but the period they're most known for today was their massive success during the disco era, thanks to their three-part falsetto harmonies on the hits "How Deep Is Your Love", "Stayin' Alive" and "Night Fever." Interestingly, those songs, all of which shot to No. 1, were not even on a proper Bee Gees album, but rather the soundtrack to the pop culture phenomenon Saturday Night Fever. The soundtrack went on to sell more than 40 million copies.

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Saturday, May 19, 2012

Kenny Roby at the Double Door Inn tonight (5/19/2012)

Posted By on Sat, May 19, 2012 at 9:00 AM

KENNY ROBY The Triangle veteran is shopping around his new one, tentatively titled The Fault, and shouldn't have trouble finding a taker even in this shitty music-seller's market - it's a stunner. Not so much a transformation as an impressive recalibration, Roby subdues the twang that's trailed him around since his 6 String Drag days in the late-'90s, and cloaks his songs in judicious orchestral strings, horns, flutes and the like. But the music loses not an iota of its rough-hewn, minor-key charm - if anything, these Southern Gothic vignettes stand out even more by reaching higher. He's playing solo this night, but you'll hear - the man can pen a great song. With Leadville Social Club. $8. Double Door Inn.

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Friday, May 18, 2012

Live review: Monophonics, Double Door Inn, 5/17/2012

Posted By on Fri, May 18, 2012 at 12:38 PM

Monophonics
Double Door Inn
May 17, 2012

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An hour into Monophonics' set at the Double Door Inn on May 17, 2012, people were still walking in the door of the Elizabeth venue. Apparently, word got out. San Francisco funk-and-soul sextet was absolutely killing it on stage.

While the group brings a retro Motown vibe to its albums, some of that is lost in the live setting - only in a good way. The band drops the retro and drives forward with spirit and soul. Where a studio version might be like a smooth excursion, the live rendition comes through like a roller coaster. Singer/keyboardist Kelly Finnigan was dripping with sweat after the first song and the entire band played with a these-are-the-coolest-songs-we've-ever-heard attitude - swaying, sweating and smiling.

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Live review: Kellie Pickler, Whisky River (5/17/2012)

Posted By on Fri, May 18, 2012 at 11:03 AM

The story Kellie Pickler told about halfway into her free unplugged set at Whiskey River Thursday was wrapped in several layers of irony. Referring to her critically lauded third album 100 Proof, the Albemarle native told the woo-hoo crowd packed in the EpiCentre club like hens in an egg factory how excited she was to have been able to finally cut a record of authentic, traditional, balls-to-the-wall country.

"They kept telling me it was too country," Pickler confided, in that sweet, rural drawl that melted a million hearts - even stony Brit Simon Cowell's - during her American Idol run. "I told 'em you could never get too country for a Carolina girl."

Kellie Pickler gets up close and personal at Whiskey River
  • Mark Kemp
  • Kellie Pickler gets up close and personal at Whiskey River

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Live review: Styx, REO Speedwagon, Ted Nugent, 5/17/2012

Posted By on Fri, May 18, 2012 at 10:53 AM

Styx, REO Speedwagon, Ted Nugent
Verizon Wireless Amphitheatre
May 17, 2012

Styx, REO Speedwagon and Ted Nugent performed at Verizon Wireless Amphitheatre on May 17, 2012, as a stop on the Midwest Rock 'n' Roll Express Tour. For those in attendance, it was a trip down nostalgia lane and you could easily tell what you'd see before the first notes rang out.

Ted Nugent hit the stage first for an egocentric trip down guitar-flash lane. Would you expect anything less? With a hand's free microphone, Nugent stomped around the stage screaming and singing, letting out as many vocal whoops as flashy guitar riffs. And, of course, there were plenty of hits - "Wango Tango," "Cat Scratch Fever" and "Stranglehold" among them.

When REO Speedwagon appeared, the waves in the audio pool were much calmer than when the Nugent storm rolled through. REO Speedwagon is one of those groups where you can't name one song off the top of your head, but when the band plays, you realize you know most of them. "I heard that Ted doesn't like our songs and thinks they're too soft," singer Kevin Cronin told the crowd. "But, when you go home tonight, would you rather make love to one of our songs or to 'Wang Dang Sweet Poontang'?" Cronin (who himself left and rejoined the band) was REO's second singer after original vocalist Terry Luttrell left the band in 1971. Keyboardist Neal Doughty remains the only original member of the group whose setlist included "Keep On Loving You," "Can't Fight This Feeling" and "Don't Let Him Go."

The night ended with a set by Styx who was full of flash and smiles. The band members constantly broke into poses, winks and grins that stopped just shy of being choreographed. Singer/guitarist Tommy Shaw is clearly the leader of the pack and made full use of the large stage. The band threw a few hits in their set including "Too Much Time on My Hands," "Come Sail Away" and "Renegade."

So, let's face it. The half-filled amphitheatre and older-leaning crowd proved this tour is clearly a trip down memory lane for most, or a chance to see some radio-friendly rock ballads in a live setting. Familiar? Yes. Cheesy? A bit. Bland? At times. But for fans and performers alike, they appeared to simply enjoy the moment, kind of going through old photos — they're nice to bring out and look at once every few years, but then you put them back in the shoebox under the bed.

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