Sugarland w/ Dave Stewart
Verizon Wireless Amphitheatre
April 27, 2012
The duo, Nettles and guitarist Kristian Bush (along with a full backing band), honored just about every song request that came their way as they put on a show that was completely for the fans. Appropriately titled the "In Your Hands" tour, Sugarland's fans got a sweet taste of the hits along with some more obscure tunes and covers. Having already toured in support of their 2010 album, The Incredible Machine, this tour is purely for the love of performing.
Daughtry w/ Safetysuit
Ovens Auditorium
April 9, 2012
When SafetySuit began its eight-song opening set for Daughtry on April 9, 2012, it was clear from the opening notes that the majority of the Ovens Auditorium crowd had no clue who the band was.
By the time the band launched into the next song - fan-favorite "Something I Said" - they managed to stir up some activity in the crowd, as if they were the main event.
Frontman Doug Brown thrashed around so much there was fear he'd throw his back out. Brown would find a way to wring every last ounce of emotion out of each lyric while sinking down to his knees and singing his heart out to a crowd that was initially indifferent.
Red Hot Chili Peppers w/ Santigold
Time Warner Cable Arena
April 6, 2012
The last time I caught the Chili Peppers live it was 20 years ago, shortly after the release of "Under the Bridge." When the band played the song live at 1992's Lollapalooza festival in Scranton, Pa., a mosh pit started in defiance of the mellow undertones. Fast forward to the April 6, 2012, concert at Charlotte's Time Warner Cable Arena and "Under the Bridge" was clearly the favorite song, boasting the night's loudest sing along. Personally, I used the time to check my e-mail.
Aside from a strong distaste for one song, I headed into the concert with an open mind and was pleasantly surprised. The Red Hot Chili Peppers have all of the energy they used to exude, but it's now done in different ways. Singer Anthony Kiedis, 49, still finds time to dance, but his wild side has calmed down a bit. Drummer Chad Smith, 50, still appears to have an absolute blast behind the kit - throwing sticks to the crowd and making faces at people - and bassist Flea is as crazy as ever - evidenced by his random comments and stories, walking across the stage on his hands and constant jumping around. As for new guitarist Josh Klinghoffer - more on him in a moment.
The Black Keys w/ The Arctic Monkeys
Bojangles Coliseum
March 24, 2012
After a handful of recent songs including the latest single, "Gold on the Ceiling," the band went back to 2004's Rubber Factory for "Girl is On My Mind" and later "Your Touch" from 2006's Magic Potion.
Monday night at the Greensboro Coliseum, Bruce Springsteen opened his own school of rock for the only scheduled North Carolina date of his current tour. The Boss taught a master class in rock writing and performance that had the near-capacity crowd on its feet for most of the two-hour-and-45-minute concert.
Taking a page from master showman and godfather of soul James Brown, Springsteen took the stage to the strains of "Papa's Got A Brand New Bag." Springsteen lampooned himself in an introduction loosely based on Brown's over-the-top introduction at his classic 1962 performance at New York's Apollo Theatre.
Brown billed himself as the hardest working man in show bidness. Springsteen claimed to be "sexy and he knows it," mock boasting that "he's had a number one album on the charts for a whole week now." Both claims stand up. The first speaks for itself. The second is backed by the fact Springsteen's new album, Wrecking Ball, which debuted at number one on Billboard, is his tenth number one, tying him with Elvis.
Overall, Springsteen's concert was a mix of old and new, kicking off with "We Take Care Of Our Own," a jab at the Bush administration's do-nothing politics: "From the shotgun shack to the Superdome/We yelled "help" but the cavalry stayed home/Wherever this flag is flown, we take care of our own."
It's a big sound this time out. The E-Streeters are now 17 strong with a horn section, an extra percussionist and two gospel-throated backup singers. But when the band stormed into "Badlands," it seemed there was going to be a big piece missing. For the first time, there was no Big Man for Springsteen to lean on, to get that mighty blast of wind to hold him up. But just as the Big Man part came around, departed saxman Clarence Clemons' nephew Jake stepped up and knocked it out of the park, as he would continue to do all night.
The night was full of anthems. Many of the new songs have "whoa ho, ho yeah" choruses built for crowd singalongs, and this crowd already knew the lyrics and bellowed along lustily.
Jane's Addiction w/ Black Box Revelation
House of Blues, Myrtle Beach, S.C.
March 10, 2012
Jane's Addiction is in the middle of its Theatre of the Escapists Tour, a cross-country journey taking the '90s alt-rock kings to various venues which average 2,000 people per night. While a May 23 concert at Charlotte's Ovens Auditorium was recently announced (with opening act The Duke Spirit), I decided to make the four-hour trek to the shore last weekend to see the band at the House of Blues in Myrtle Beach as an early preview.
The opportunity to see a big-name band in a small concert venue doesn't happen often. As an artist grows in popularity, the ability to see them in a smaller club wanes away, unless they play a last-minute tour warm-up (see Van Halen's recent N.Y.C. gig) or head out on one of those rare club tours.
Having seen Jane's Addiction a handful of times over the years - Lollapalooza and at New York's Madison Square Garden in 1991, during the Relapse Tour in Atlanta in 1997 and at the Voodoo Festival in New Orleans in 2009 - I was curious to see them in a more intimate setting.
Throughout their 25-song set at the Visulite Theater on Monday, Feb. 6, Augustana frontman Dan Layus was never without a smile on his face as he belted out lyrics that make up the band’s nine-year history. It was quite a different sight from the frontman of two years ago — an alcoholic who couldn’t seem to see the brighter side of life.
With this tour, Augustana makes it clear that those days are long gone. Despite a lineup that has been in constant turmoil and being dropped from their label, Epic, after six years, the band is back with a new set of songs reflecting their contentment with life and a mellow attitude which is reflected in every song.
The foursome took the stage without a word. Only the low whine of a lone guitar chord announced the band's presence as they launched into “Hey Now” from their 2008 album Can’t Love, Can’t Hurt.
With lyrics like “Now we’re bleeding for nothing... We’re damned at the end and we’re damned at the start,” Layus showcased his attitude as a songwrtier and his crew blossomed with a steady guitar rhythm carrying them forward. Constant smiles on their faces indicated that although the same sweet melodies drive their music, they are not the same band that wrote those words so long ago.
Tool
Bojangles Coliseum
Feb. 4, 2012
Quietly taking the stage to the steady opening rumble of "Hooker with a Penis," Keenan sang through a megaphone, offered sporadic dance moves in his black t-shirt and jeans and ended the song with a quick courtsy.
Puscifer w/ Carina Round
Ovens Auditorium
Nov. 27, 2011
Those talks set the tone for a night of music that was high on creativity —Â� from a 30-minute mockumentary interlude to short skits between songs — and the band's own musical paintings that drew from its two albums for an 18-song journey.
The night started with "Green Valley" and "Tiny Monsters" before kicking into high gear with "Vagina Mine." Various videos ran in the background while a hanging LED screen showed occasional mock advertisements such as one for the Arizona Border Patrol with the slogan, "We put the 'Panic' in Hispanic."
Brandi Carlile w/ The Secret Sisters
Knight Theatre
Nov. 11, 2011
Carlile hit the stage dressed in black, a silk scarf around her neck, as she rolled through song after song during her solo performance. Her vocals held the spotlight for the duration of the night — from the opening notes of "Follow" through an a capella version of "What Can I Say" to the final encore. While she mentioned her missing bandmates — Tim and Phil Hanseroth — a few times, Carlile also noted that this solo tour has been a good idea and one she was initially hesitant to do.