Friday, February 10, 2012

Sol Driven Train brings soul-inspired rock to the Double Door Inn (2/10/12)

Posted By on Fri, Feb 10, 2012 at 8:24 AM

On the road in support of their latest EP, Watermelon, Charleston, S.C., quintet Sol Driven Train finds that fine line between a variety of genres. Steadily building a fan base since 2005, the band combines elements of soul, funk, blues and rock into a jam-infused stew of their own. With Dangermuffin. $8-$12. Double Door Inn.

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Wednesday, February 8, 2012

Live review: Augustana

Posted By on Wed, Feb 8, 2012 at 1:52 PM

Throughout their 25-song set at the Visulite Theater on Monday, Feb. 6, Augustana frontman Dan Layus was never without a smile on his face as he belted out lyrics that make up the band’s nine-year history. It was quite a different sight from the frontman of two years ago — an alcoholic who couldn’t seem to see the brighter side of life.

With this tour, Augustana makes it clear that those days are long gone. Despite a lineup that has been in constant turmoil and being dropped from their label, Epic, after six years, the band is back with a new set of songs reflecting their contentment with life and a mellow attitude which is reflected in every song.

The foursome took the stage without a word. Only the low whine of a lone guitar chord announced the band's presence as they launched into “Hey Now” from their 2008 album Can’t Love, Can’t Hurt.

With lyrics like “Now we’re bleeding for nothing... We’re damned at the end and we’re damned at the start,” Layus showcased his attitude as a songwrtier and his crew blossomed with a steady guitar rhythm carrying them forward. Constant smiles on their faces indicated that although the same sweet melodies drive their music, they are not the same band that wrote those words so long ago.

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Samantha Crain returns to Evening Muse (2/8/12)

Posted By on Wed, Feb 8, 2012 at 11:21 AM

Ramseur Records artist Samantha Crain is on tour in support of her latest release, A Simple Jungle. The Oklahoma resident of Choctaw heritage has the right combination of soulful vocals and sometimes-energetic, sometimes-somber songwriting to fit well within the label’s stable of artists. With American Aquarium. 8 p.m. $8 advance. The Evening Muse.

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Tuesday, February 7, 2012

Local musician Eric Krauss has died

Posted By on Tue, Feb 7, 2012 at 11:47 AM


Local musician Eric Krauss, 40, died over the weekend. Krauss was active in the Charlotte music scene throughout the 1990s and 2000s, playing with bands including Lodestar, Helicopter, Come On Thunderchild and Virginia Reel. Details of his death aren't yet known, but word quickly spread through the Charlotte music community early this week.

Funeral services will be held Thursday, Feb. 9, at Hankins and Whittington Funeral Home, 1111 East Boulevard, Charlotte. The family will receive friends from 5 to 7 p.m., with the memorial service beginning at 7 p.m.

In lieu of flowers, memorials may be made to the Humane Society of Charlotte, 2700 Toomey Ave., Charlotte, N.C. 28203.

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This week's new releases (2/7/2012)

Posted By on Tue, Feb 7, 2012 at 11:07 AM

Here's a quick look at what's new in stores this week:

Dierks Bentley Home — Country singer still trying to find his own path in country music.

Die Antwoord Ten$ion — Has anyone figured out if we're supposed to take them seriously or not?

Dr. Dog Be the Void — Continuing to find their niche on the musical landscape.

The Fray Scars & Stories — More top 40 crap that sounds like the rest of the top 40 crap.

Mark Lanegan Band Blues Funeral — Latest offering from the former Screaming Trees singer.

Paul McCartney Kisses on the Bottom — A new album from the former Beatle or the title of a new porn film — you decide.

Of Montreal Paralytic Stalks — What happens to a band once the buzz dies down?

Sharon Van Etten Tramp — Of course her buzz builds right after she plays Charlotte...

Van Halen A Different Kind of Truth — Judging by early reviews, people were hoping for a different kind of album, too.

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Machine Head rocks The Fillmore Charlotte (2/7/12)

Posted By on Tue, Feb 7, 2012 at 8:02 AM

MACHINE HEAD One of the more intriguing metal bands on the circuit, Machine Head’s menacing thud is colored of late with classical and Latin guitar shadings. For almost two decades, the quartet has churned their grind and thrash apropos to the genres, but they’re always looking forward and aren’t afraid to delve into experimentation and epic songcraft while continuously evolving and honing their chops, singing melodically even. That’s not to say the thunderous percussion and blasting guitars won’t frighten the neighbors. With Suicide Silence and Darkest Hour. $27. The Fillmore Charlotte.

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Monday, February 6, 2012

Live review: Tool

Posted By on Mon, Feb 6, 2012 at 10:00 AM

Tool
Bojangles Coliseum
Feb. 4, 2012

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The last time Maynard James Keenan and Co. were in town — July of 2009 at Charlotte's Bojangles Coliseum — the Tool singer felt under-the-weather and the band shuffled through the same setlist they'd been playing for a couple of years. Fast forward to Saturday, Feb. 4, at the same venue and the songs and setlist both received breaths of fresh air leaving a sold-out venue satisfied.

Quietly taking the stage to the steady opening rumble of "Hooker with a Penis," Keenan sang through a megaphone, offered sporadic dance moves in his black t-shirt and jeans and ended the song with a quick courtsy.

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"Hooker" has re-entered the band's setlist for their current tour for the first time since 1999. While more than half of the songs played were also played at that 2009 show — "Jambi," "Stinkfist," Schism" and "Aenema" among them — fans were also treated to a few new ones, including radio favorite "Sober," the more obscure "Intension" and fan favorite "Pushit."

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Sunday, February 5, 2012

Henry's Rifle plays The Milestone tonight (2/5/12)

Posted By on Sun, Feb 5, 2012 at 8:56 AM

HENRY’S RIFLE John Alfred’s one-man band hammers out raw Americana playing mostly banjo along with harmonica, guitar, heaps of foot-stompin’ and plenty roots-drenched howling. Alfred’s messy mix of blues, country, folk and hillbilly can be raucous or surprisingly sublime. Whether taking the banjo for a pleasant stroll or strumming it into a runaway train, the harp whistling along, this is backcountry music that’s at home anywhere Alfred hunkers down and straps on the strings. Also on the bill are Blackwater Redemption and the Slaughterhouse Chorus. $7-$9. The Milestone.

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Saturday, February 4, 2012

Jill Andrews and Holy Ghost Tent Revival hit up the Visulite Theatre tonight (2/4/12)

Posted By on Sat, Feb 4, 2012 at 8:51 AM

JILL ANDREWS/HOLY GHOST TENT REVIVAL Jill Andrews’ former band, the Everybodyfields, specialized in the sorrowful sounds of classic folk and country. Solo, Andrews forsakes Americana for piano and guitar-driven alt-pop. Her voice is still warm and unwavering, and she’s added a hint of playfulness to songs that are more Carole King than Neko Case. But the hint of high lonesome is never far away. Ramshackle and raucous, Holy Ghost Tent Revival plays indy rock by way of good time Dixieland jazz from the gutter. Horns, banjo and a hint of ragtime tempo lend down-home grit to tightly crafted pop melodies with killer harmonies. Despite the Alan Lomax field recording aesthetic, it’s all about aching songs of heartbreak and love. A stellar double-bill. $12-$15; $7. Visulite Theatre.

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Friday, February 3, 2012

Will Madonna at the Super Bowl be the best or worst halftime we've seen?

Posted By on Fri, Feb 3, 2012 at 2:54 PM

Everyone has a favorite and least favorite Super Bowl halftime performance — though none has truly been fantastic. For some, Janet Jackson's 2004 "Nipplegate" will forever be at the top of their list — good if you liked the sight of her exposed breast, bad if you think it ruined children's minds and the concept of nipple shields.

For others, The Who in 2010 was at the top of the bad list — though I didn't think it was horrible. I could have done without 1991's New Kids on the Block. I thought Prince gave it a good shot in 2007. I thought Black Eyed Peas last year were about as commercial as it could possibly get.

I think the halftime show is made out to be as far reaching and bland as possible, only cool to those who find their favorite songs/artists on Top 40 radio. No chance we'll ever see a Radiohead, Arcade Fire or My Morning Jacket on there. I even think Mumford & Sons would be too polarizing.

This year, we'll be "entertained" by Madonna, Nicki Minaj, MIA, Cee-Lo Green and LMFAO. OMFG. Yep, this one has the potential to be the worst we've seen. Madonna will sing "Vogue," she'll be joined by LMFAO for "Music" sing "Give Me All Your Luvin" with Nicki Minaj and M.I.A. and she'll wrap it up with "Like A Prayer" with Cee-Lo. Yep, this Sunday's could be horrible.

For me, the moment when the Super Bowl Halftime performance truly "jumped the shark" was in 2001. The perfect blending of rock and commercial pop. Take a look:

From Justin Timberlake's funky chicken and running man dances to Britney Spears lip-synching and shaking her half-naked body into the hearts of teens everywhere... Nelly's rapping isn't in the same league as the collaboration of Aerosmith and Run DMC. The line dancing at the end and Spears/NSync trying to find some street cred. This one had to be the worst I've seen...

They've tried to redeem themselves with Prince, the Rolling Stones, The Who, but it's always far too commerical, cheesy and lip-synched to ever be as "cool" as you hope. It's always a solid debate, so, what's your least favorite?

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